Avond (afternoon): the red tree - 1910,


Size (cm): 75x55
Price:
Sale price¥40,600 JPY

Description

The work "Avond (afternoon): the red tree" by Piet Mondrian, created in 1910, is registered within the evolution of modern art at the beginning of the 20th century. This painting is testimony of an intermediate stage in the artist's trajectory, where echoes of symbolism and post -impressionism are still perceived, before its full transformation towards neoplasticism, which would later characterize it. In "The Red Tree", Mondrian explores color, shape and nature through a personal and stylized vision.

Visually, the work presents a vibrant red tree that rises in the foreground, dominating the composition. This color, so intense and almost abstract, is not only a chromatic choice, but an emotional statement that evokes the warmth of the afternoon. Mondrian uses red to attract the viewer's gaze, contrasting it with the softest and most out of the background, which reflects the twilight atmosphere. This fund is structured by a series of terrible tones, which are naturally associated with the landscape of the time. The combination of these colors not only creates a visual contrast, but also establishes a harmony that reflects the fleeting of a sunset.

The arrangement of the tree in the work challenges traditional representation, emphasizing the structure of its branches and an almost abstract perspective. The branches extend dynamically, while the trunk is presented as a sculptural element that unfolds before the viewer. This way of representing the tree, far from being a simple naturalistic record, invites us to consider the essence of the object beyond its form. Mondrian, in this work, already shows signs of his inclination towards the use of geometric shapes in his subsequent works.

Although "Avond" does not present human or animal figures, the tree itself can be interpreted as a character that breathes life in the landscape, teaching a sense of movement and vitality. The absence of traditional figurative elements allows the viewer to actively participate in the interpretation of the work, inviting him to talk with the nature and emotion he evokes.

This work is a clear example of how Mondrian integrates the observation of the environment with an internal search for expression. His interest in the symbolism of nature is opposed to the usual conception of the art of his time, where forms and colors become vehicles of emotion and introspection. The emotional sphere that emanates from "the red tree" resonates with the work of other contemporaries who, in turn, reinterpreted nature through a personal lens.

For all this, "Avond: The Red Tree" is not only a reflection of Mondrian's genius, but also a bridge towards his artistic future. The transition between the figurative and the pure forms that would dominate their work later finds in this painting An unexpected turning point. When contemplating this painting, the spectators are invited to a trip that oscillates between representation and abstraction, suggesting the complexity and depth of the study of light, the shape and color that Piet Mondrian undertook throughout their career.

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