Tarrytown


Size (cm): 60x75
Price:
Sale price¥41,600 JPY

Description

Albert Gleizes, central figure of the cubist movement, leaves an indelible mark on the panorama of modern art with works that fuse the complexity of shape and color. His painting "Tarrytown", made in 1913, is an exceptional example of this cubist search that defies the conventions of traditional representation. In "Tarrytown", Gleizes not only portrays a landscape, but also manages to offer a multidimensional vision of the environment, evoking the essence of a place through a visual structure that seems to move and breathe.

The composition of "Tarrytown" is characterized by fragmentation and overlap of plans. Here, the scene decomposes into geometric shapes that, despite its abstraction, are recognized as landscape elements. The houses, the trees and the sky are presented in a dynamic game of lines and perspectives that invite the viewer to explore the relationship between the different elements. Instead of a linear narrative, Gleizes suggests simultaneous time and space, urging contemplation of what is revealed in its entirety and in its parts. This cubist approach reflects the influence that a sense of depth and movement has on the viewer, transforming visual experience into an active interaction.

The use of color in "Tarrytown" is equally significant. Gleizes uses a varied palette, where terrible and blue tones predominate, complemented by touches of more vibrant colors. These colors not only fulfill a descriptive function, but they work in simultaneity to give life to the composition. The interactions between colors create an atmosphere that is almost musical, suggesting a visual symphony that resonates in the context of the urban landscape it represents. The way in which the colors are juxtaposed reflects the diversity of the Tarrytown environment, a suburb of New York that Gleizes knew during his stay in the United States.

In "Tarrytown" there are no human figures that would traditionally have occupied a place in landscape painting. The absence of characters causes a disconnection between the viewer and the scene represented, allowing attention to focus on the interaction of shapes and colors. This choice resonates deeply with the cubist vision of reality, where the environment and visual experience are protagonists, emphasizing the idea that the place is experienced through perception itself, rather than conventional narratives.

As the spectator observes the subtimile details of "Tarrytown", the echoes of the experimentation of Gleizes with the structure of the painting can be perceived. Influenced by the work of their contemporaries, such as Pablo Picasso and Georges Braque, Gleizes achieves a balance between compositional ingenuity and faithfulness to the reality that he aspired to represent. With an attentive look, the similarities can be noticed in its approach to other Cubist works of the time, where the emphasis on geometry and duality of the natural form versus abstract is present.

Through "Tarrytown", Gleizes not only captures a time in time, but also invites the viewer to reflect on the very nature of artistic representation. In this work, the ideals of Cubism are distilled; the decomposition of reality and its transformation into a complex composition that defies expectations. The masterful use of color and the form in this painting exposes the search for a deeper truth in visual experience, a legacy that continues to influence and resonate in contemporary art.

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