Samaritana - 1920


Size (cm): 55x75
Price:
Sale price¥40,600 JPY

Description

The work "Samaritana", painted by Julio Romero de Torres in 1920, reveals a deep connection between spirituality and sensuality, a distinctive feature of the author's style. This painting is a clear example of the symbolism that characterizes the artist and his ability to merge the everyday with the religious. In it, the central figure of the Samaritan, represented with a remarkable beauty, occupies most of the canvas, catching the viewer's attention in an instant that evokes a narrative both biblical and contemporary.

The composition stands out for its verticality, where the female figure stands gracefully on a background that, although less defined, is immersed in a palette rich in warm tones. The Samaritanian, dressed in a dress that reminds of traditional clothes, seems to be in a moment of contemplation, with the sweet expression of her face that captures the essence of the internal search. The light that bathes his figure accentuates the curves of his body, creating a dramatic contrast with the shadows that play around. This use of chiaroscuro is a technique that Romero de Torres dominated, providing its characters a three -dimensionality that makes them feel palpable.

Color is one of the most fascinating aspects of "Samaritan." The ocher and brown of the background combine with the soft skin tones, which evokes an almost mystical warmth. The inclusion of blue touches in the shadows of the dress implies a subtle reference to the sea and water, vital elements in the narrative of the Samaritan woman who, in the Christian tradition, meets Jesus next to a well. Here, Romero de Torres not only represents the woman, but transforms her into an emblem of seduction and wisdom, acting as a bridge between the earthly and the divine.

In turn, the background of the painting, although it is maintained in the background, suggests a desert landscape that acts as a context for history. This choice reinforces the idea of ​​the desert as a symbol of search and restlessness, a place where the encounter with the sacred seems to always be on the prowl. The symmetry in the arrangement of the elements suggests a balance between Andalusian popular culture and a more universal interpretation of spirituality, a recurring theme in the work of this author.

Julio Romero de Torres, born in Córdoba in 1874, is known for his ability to capture the essence of the female ideal and the influence of artistic currents such as symbolism and modernism to which he adhered throughout his career. His dedication to rescue issues of popular and religious culture, immersed in the Andalusian tradition, finds in "Samaritana" a moving efficacy. The dialogue that establishes between the sensual and the spiritual invites the viewer to reflect on the nature of the woman, not as a mere representation, but as a figure that embodies human complexities.

In short, "Samaritan" is positioned not only as an aesthetic work, but as an emotional and cultural testimony that reflects the search for the human being by the connection with the divine, evidencing the mastery of an artist who, through his palette and Technique, manages to communicate a visual experience rich in symbolism. Romero de Torres's painting continues to inspire generations, reminding us that art is a bridge towards the transcendental.

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