Cariátide - 1912


Size (cm): 50x75
Price:
Sale price¥39,400 JPY

Description

The "Cariátide" work of Amedeo Modigliani, created in 1912, represents one of the most unique and evocative manifestations of symbolism and sensuality that characterize the style of this Italian artist. Modigliani, known for his elongated portraits and naked .

The "affectionate" composition is marked by the central figure that rises gracefully on the canvas. The female figure, which seems to be a stylized representation of a woman, is sitting with a prominent verticality, as if it were a pillar of an ancient Greek temple. This choice echoes the affection of classical architecture, which support roofs with their strength and elegance, in a resistance and fragility game. The woman, like Cariástidas, suggests a connection between the human and the monumental, the ephemeral and the eternal. The position of the figure also helps to emphasize this duality and invoke a feeling of solemnity and contemplation.

As for the palette, the work adopts a warm and earthly hue that infuses life and depth. The ocher, reddish tones and pale skin of the figure contrast with a darker and foggy background, which seems to absorb light instead of reflecting it. This chromatic choice not only serves to highlight the central figure, but also creates an introspective and almost dreamlike environment, where women become the center of a world that seems to be losing its definition. The lack of details in the background reinforces the prominence of the figure, suggesting that the context is as fleeting as an idea or a memory.

The woman's gaze is enigmatic, a typical characteristic of the Modigliani approach, which often tried to capture not only physical appearance, but also an emotional or spiritual quality. His expression, although Serena, refers to an inner complexity that invites the viewer to a deeper reflection on human identity and condition.

Amedeo Modigliani, an artist who positioned himself at the forefront of modern art, keeps a clear break with realism and tries to go beyond the conventions of his time. Influenced by Cubism and symbolism, it achieves a personal style that is characterized by its ideal portraits, devoid of anecdotal elements. Modigliani's work, although often focused on the human figure, is also inscribed on a broader speech about beauty and expression.

In the context of its production, "Cariátide" aligns with other works in which the artist merges the portrait and sculpture, glimpseing beauty through simplification and stylization. The work resonates with the rest of his work, where he explores the human figure as an object of contemplation, often reflecting the same concerns about fragility and the desire to transcend time.

The "affectionate" is, in its essence, a testimony of the search for Modigliani in its creative process: the attempt to capture the light of human emotion in the solidity of the form. Through this work, the viewer not only contemplates the figure of the woman, but meets a dialogue between art, history and identity, evoking a world where the divine and the human coexist in harmony. Thus, "Cariatide" remains a pillar in art history, inviting reflection on the role of the female figure in the culture and aesthetics of its time.

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