Schinkelbuurtje Sol - 1899


Size (cm): 75x55
Price:
Sale price€228,95 EUR

Description

The work "Schinkelbuurtje Sol" by Piet Mondrian, created in 1899, is presented as a fascinating testimony of the artist's first experiments in his search to capture the essence of light and atmosphere through color and shape. This painting, which reflects Mondrian's style before his famous geometric and abstract stage, is located in the confluence of impressionism and symbolism, manifesting the intense exploration that the artist carried out in its beginnings.

In this work, Mondrian reviews the urban landscape, a recurring theme in its production. The scene portrays a set of houses that are arranged in a way that seem to croorate the image. This approach to architecture reflects the influence of the Dutch culture and the surrounding environment, and denotes an obvious curiosity for the interaction of light with the built spaces. The light plays a fundamental role, since it is observed how the buildings are bathed and reflected on different surfaces, stretching in a visual dance that allows the spectator to feel the warmth of the sun through the warm tones of the palette chosen by Mondrian.

Color use is one of the most remarkable aspects of the work. Mondrian uses a range of yellow and oranges that evoke a vibrant and luminous atmosphere, and that contrast with the darkest tones of the projected shadows. This choice of colors not only appeals to visual perception, but invites you to contemplate the emotional relationship that is established between light and structure. Here, the loose brushstroke and the almost impressionist treatment of color suggest an intimate connection to the landscape, impregnating it with a sense of vitality and movement.

Although in this painting there are no human figures, the atmosphere in which the scene develops feels inhabited. Houses, sometimes stripped of specific details, have an almost symbolic character that could represent everyday life and community. This minimalist approach to the representation of the human figure intensifies in its subsequent works, where abstraction takes prominence. The absence of characters can be interpreted as a preamble to the development of their most abstract style, where the forms and colors would occupy the center of the visual narrative.

Piet Mondrian, throughout his career, would evolve towards neoplasticism, a movement that Shesso helped define. However, "Schinkelbuurtje Sol" captures a transition phase, a moment of reflection on the spaces and their perception. The work is not only a manifestation of simple and color light, but it is an invitation to look beyond direct representation, towards what these elements mean in a broader and emotional context.

In conclusion, "Schinkelbuurtje Sol" is erected as a crucial work in the artistic development of Piet Mondrian, revealing the concerns and explorations that would lead him to be one of the parents of modern abstraction. Its ability to capture the essence of the urban environment, combined with its master use of color, suggests a work rich in meaning and anticipation, reaffirming its importance not only in the context of art history, but also in the personal history of an artist that was on the threshold of a transformative trip.

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