After the battle - 1923


Size (cm): 60x75
Price:
Sale price€236,95 EUR

Description

Kuzma Petrov-Vodkin, a Russian painter whose works have left an indelible mark on the history of the art of the twentieth century, invites us to a deep reflection with his painting after the battle of 1923. Through this work, Petrov- Vodkin manages to synthesize the anguish, restlessness and the calm after storm, a storm evidently of a war nature, in a style that perhaps was not conventional for his time but that is undoubtedly blunt in his message and aesthetics.

When observing the work, the first thing we found is a composition dominated by an injured soldier. This character, located in the center of the scene and dressed in a military uniform, lies with an expression of pain that transports us directly to the catastrophic events that preceded this moment. The chromatic palette used by the painter is predominantly warm, with reddish and brown tones that not only highlight the central figure but also contribute to creating an atmosphere that can be interpreted as the representation of suffering and spilled blood.

The background of the painting is composed of landscape elements that, although not accurately detailed, seem to indicate that the battle took place in rugged and hostile terrain. These gloomy silhouettes on the horizon, marked by diffuse lines, contrast with the figure of the soldier, focusing all the viewer's attention on the human tragedy that Petrov-Vodkin wishes to highlight.

One of the most distinctive characteristics of the work is the use of space by the painter. The framing and disposition of the elements do not follow a traditional concept of perspective, but they seem to be influenced by their interest in spherism, a technique that Petrov-Vodkin experienced and offers a somewhat distorted but deeply expressive vision of the world. This spherism can be perceived in the proportions of the soldier's body and in the way in which the surrounding space seems semi -open or compressed, thus giving a feeling of instability and tension that resonates with the recent war conflict.

Petrov-Vodkin is not limited to capturing a time after battle in literal terms, but through its brush and its artistic vision, explores the emotional and psychological effects of war. The expression of the wounded soldier, the dynamism of the background landscape and the chosen colors, all combine to produce a visual story that goes beyond a mere historically precise representation.

It is also interesting to contextualize this work in the midst of Petrov-Vodkin's artistic career and evolution. Known mainly for his ability to combine realism with symbolism, the author was influenced by various currents and styles that coexisted in his time. From Russian symbolism to certain impressionist and cubist techniques. In works such as Red Horse Bath (1912) and Maternity (1913), you can see an evolution of its characteristic style that culminates in the contained and emotional atmosphere after the battle.

In conclusion, after battle it is not only a visual narrative about post-base, but a meditation on the human condition in times of war. Kuzma Petrov-Vodkin, through its sharp sense of color, its particular management of space and its ability to convey emotion through form and expression, offers us a work that, almost a century after its creation, continues to resonate deeply in our collective consciousness. Painting is sustained as a timeless testimony of suffering, sacrifice and resilience, encapsulated in a single moment of reflection on adversity.

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