Tuna's capture - 1919


Size (cm): 75x55
Price:
Sale price1.860,00 DKK

Description

The painting "The capture of tuna" (1919) by Joaquín Sorolla stands out for its vibrant representation of a fishing scene on the Mediterranean coast, a theme that Sorolla explored throughout his career, always reflecting his love for the sea and the light. Through his technical mastery and his unmistakable personal seal, Sorolla captures an instant of intense activity that transmits not only a sense of movement, but also the strong connection of humanity with nature.

The composition of the work is dynamic and carefully balanced. The scene develops in a space where the interaction between men and the natural environment is palpable. Sorolla uses a horizontal format that invites the viewer to follow the gaze towards the horizon, suggesting the immensity of the ocean. To the center, a group of men, dressed in traditional fishing clothes, seem to be in full action, catching a great tuna that struggles to free themselves. This frozen moment in time is both a testimony of fishermen's skill as a reflection of the richness of the sea.

Sorolla is known for its ability to handle light, and "the capture of tuna" is no exception. The sunlight bounces in the water and is reflected in the tanned skins of the characters, creating an almost ethereal game of lights and shadows. The vibrant colors, ranging from the deep and turquoise blues of the ocean to the warm tones of the skin and clothing, show their mastery in oil painting. These colors not only fill the work of life, but also evoke the Mediterranean atmosphere, an ocean that has been a cultural and economic symbol for Spain over the centuries.

In "the capture of tuna", the characters are not only individual figures, but represent a collective attached to the tradition and the struggle for subsistence. Each face, with its expression of concentration and effort, tells its own story, underlining the importance of teamwork in fishing. The proximity of men in painting suggests camaraderie and an emotional connection between them, also highlighting the community sense that accompanies this type of work.

The work embodies the spirit of naturalism and the impressionism with which Sorolla worked, where to capture light and color at the moment became a primary objective. As in other of his works, such as "The beaches of Valencia" or "The Bathroom of the horse", Sorolla manages to capture not only the action, but the very essence of the Spanish coastal landscape.

Through "the capture of tuna", Sorolla not only honored a cultural practice, but also invited the viewer to appreciate the majesty of the sea and the dedication of those who live with him. This work is erected as a testimonial of human experiences in its surroundings, a reminder that art has the power to capture not only visual reality, but also the emotion that is aroused. The work is found in the collection of several outstanding museums, underlining Sorolla's relevance in art history and its ability to represent man's interaction with nature masterfully. Thus, "the capture of tuna" becomes a visual artifact that covers both the cultural history of fishing in Spain and a meditation on life itself.

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