Tile design and entrance lobby, 1917


Size (cm): 55x75
Price:
Sale price1.856,00 DKK

Description

The work "Design for tile soil and entrance lobby" of 1917, created by Theo Van Doesburg, is a clear example of the intersection between art and architecture, an area in which this Dutch artist left an indelible mark. Van Doesburg, known as one of the main theorists and practitioners of the STIJL movement, developed an approach that advocated harmony and unity through geometry and limited use of colors.

He painting In question it represents a design for a tile floor that is located in a lobby, and its visual structure is imbued with a rigorous formal organization. The composition is characterized by an intricate geometric pattern that uses rectangular and square forms arranged both systematic and asymmetric. This design, which clearly resembles a map or architectural plane, reflects Van Doesburg's ability to merge art and functionality, suggesting a specific space even if its representation is two -dimensional.

The use of color in this work deserves special attention. Van Doesburg uses a palette that combines red, blue and yellow primary colors with neutral tones such as black and white. Each color is meticulously placed, playing a role not only in aesthetics, but also in the psychology of designed space. The contrast between bright colors and geometric structure translates into a vitality that invites an interaction of both visual and emotional interaction of the viewer. This colorful approach is distinctive to Stijl's style, which sought the expression of the pure essence of forms through reduction and simplification.

It is important to note that, unlike some of his most abstract and pictorial works, in this design we do not find figures or characters. This aspect is aligned with the philosophy of the STIJL movement, which prioritizes abstraction and depersonalization in artistic representation. Instead, the focus is directed towards the interaction of shapes and colors, emphasizing the environment and the spatial experience that the design suggests.

Van Doesburg's work can be seen as a precursor to many of the contemporary practices in design and architecture. His attention to detail and his ability to translate complex ideas into a clear visual language makes him an indispensable reference in the history of modern art. When contemplating "design for tile soil and entrance lobby", one cannot avoid feeling involved in a reflection on the relationship between art, space and daily life, a constant in the work of this innovative artist.

In conclusion, through this design, Van Doesburg not only seeks to beautify a space, but also invites the viewer's experience through its meticulous exploration of shape and color. "Tile design and entrance lobby" is a manifestation of an artistic vision that transcends time, joining art and design in a powerful statement about modernity.

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