Tatlin at work


Size (cm): 55x75
Price:
Sale price1.865,00 DKK

Description

When observing ** "Tatlin at work (Tatlin at Work)" ** of El Lissitzky, we immerse ourselves in the vibrant universe of constructivism, an artistic movement that had its boom in the revolutionary Russia of the early twentieth century. The work, created in 1928, stands as a tribute not only to Vladimir Tatlin, one of the greatest exponents of constructivism, but also to the ideology of a new way of seeing and building art.

The Lissitzky, a visionary in his own right, uses in this painting a strictly ordered geometric composition, an iconic characteristic of constructivism. The image has several interconnected geometric shapes that converge towards a central approach point. Tatlin, represented in full creative process, appears stylized, almost schematic, reflecting not only his human figure but also his role as an architect of new forms and structures.

The color palette of the work is deliberately restricted, dominated by red, gray and white tones. These colors are not capricious elections; Red symbolizes revolution and creative energy, while gray and white accentuate a sober but expressive contrast that evokes mechanization and modernity. The interaction of these colors adds depth and dynamism to the composition, creating a visual tension that maintains the interest of the viewer.

The use of space and non -realistic representation of forms and figures are characteristics that the Lissitzky explores with a mastery. The perspective is practically absent, replacing it with an overlap of planes and lines that suggest movement and activity. In this way, Tatlin's figure seems imbued in a creation vortex, symbolizing incessant work and the search for innovation.

The central theme of the work, Tatlin at work, is a tribute not only to man but to the spirit of an era. Tatlin is emblematic of constructivism, known for its monument to the third international, a structure that not only intended to be a building but a symbol of future and progress. Lissitzky recognizes and elevates this ideal, encapsulating it in a scene that is both a portrait and ideological manifestation.

It is also interesting to note how "Tatlin at work" can be seen in the context of other works by El Lissitzky, such as its famous "Pruns" series (projects for the affirmation of the new). Both series share a vision of a reimagined world through geometric shapes and abstract spaces. The Lissitzky moves fluently between art and propaganda, using its talent to serve both creativity and social engineering.

In summary, "Tatlin at work" is not just a painting, but a statement. The work of El Lissitzky is not merely aesthetic but deeply programmatic, a reflection of revolutionary fervor and the hope of a radical change. The work invites the viewer to contemplate not only the forms and colors, but the ideas that underlie them: the utopia of a new world, built through art and human creativity.

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