Description
The work "Meeting of Surfaces" by Wassily Kandinsky, created in 1934, is part of a crucial period of the artist's trajectory. Kandinsky, considered one of the pioneers of abstract art, was influenced by a variety of aesthetic and philosophical currents that marked their work throughout their lives. This painting represents the culmination of its interest at the intersection between the spiritual and the visual, as well as its constant exploration of the relationship between color, shape and emotional concentration.
In "Surface Meeting", the viewer is immediately attracted by the rich color palette that the author displays with mastery. The vibrant tones of red, yellow and blue are intertwined in a visual fabric that evokes a feeling of dynamism and movement. These chromatic elections are not mere ornaments; Each color seems to vibrate with an inherent energy, as if Kandinsky seeks to transmit specific emotions through its disposition. This work reflects its belief in the emotional impact of colorimetry, where color becomes a vehicle for feeling.
The composition of the painting is notable for its construction of geometric shapes and lines, which seem to intersect and interact with each other in an almost ethereal space. There are no visible characters in the work, which allows the viewer to participate in the visual experience without narrative distractions. The surfaces are and overlap, suggesting a visual and conceptual meeting. This interaction between the different forms creates an atmosphere of continuity and mutability, characteristic of Kandinsky's style, which challenges traditional notions of representation.
This abstract approach can be seen as an act of liberation, where shape and color are the main thing, and are not subject to the logic of the real world. Kandinsky, in addition to being a painter, was an art theorist and his interest in musical theory translates into his work. In his book "Of the spiritual in art", he delves into the connection between visual arts and music, suggesting that, like a symphony, works can evoke an emotional spectrum without an explicit narrative.
"Meeting of surfaces" aligns with other works of the late period of Kandinsky, where an approach to purity and expression stripped of figurative forms is observed. Comparisons can be made with "composition VIII" and others paintings abstracts of its catalog, which also unleash the fluidity of the shapes and complexity of color. The richness of visual language used in this painting is, in turn, a reflection of its artistic development and its experiences lived in the context of the Europe of delivery, a time of tumultuous changes and avant -garde explorations.
In conclusion, "surface meeting" is more than a mere visual representation; It is a testimony of the deep connection that Kandinsky cultivated between art and emotion, spirituality and sensory perception. His work invites us to contemplate not only the relationships between surfaces and colors, but also to reflect on our own place and experience in the cosmos. After all, on each surface that is in this painting, a part of ourselves is glimpsed, weaving a network of meanings that transcends the mere observation.
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