Description
When contemplating the work "Suprematism - 1920" by Kazimir Malevich, we enter the heart of the suprematist movement, one of the most revolutionary and paradigmatic of abstract art of the twentieth century. This painting, a pure representation of visual language that Malevich proposed, invites us to reflect on the very essence of perception and artistic representation from a new perspective that challenges traditional canons.
"Suprematism - 1920" is a work that faithfully reflects the ideals of Malevich, who sought to free the art of real world's bonds and materials, using a composition of simple geometric shapes and primary colors. In this painting, we observe a set of geometric figures arranged on a white background, which acts not only as an empty space, but as an infinite plane where forms can exist without restrictions. This use of white is essential in suprematism, since it symbolizes the "absolute emptiness", a field where the harmonies and tensions of the figures develop.
The composition of this work is both simple and complex. Simplicity lies in the choice of basic forms: rectangles, lines and triangles, all in flat colors such as black, red and blue. Complexity arises from the way in which these forms are related to each other, creating a vibrant dynamism through balance and asymmetry. The interaction between the various geometric figures generates a visual rhythm and a sense of movement that leads the viewer beyond the mere static observation.
Malevich, with his research on the infinite possibilities of pictorial space, faces us to a visual paradox: the apparent simplicity hides a conceptual depth that goes beyond the obvious. For example, the overlap of forms introduces a space of spatiality that is immaterial; However, they suggest a construction in different layers, where each figure finds its own place and purpose.
The choice of primary and pure colors reinforces Malevich's supreme vision. Black, red and blue stand out against the back of the background, creating a contrast that accentuates the forms and underlines its independence from figuration. The color game, although restricted, is powerful, and brings an emotional dimension to the space of painting. Each color seems to be loaded with meaning and energy, contributing to the tension and balance of the composition.
In "suprematism - 1920" there are no traces of traditional characters or narratives. This is consistent with Malevich's philosophy, who advocated an art that focused on pure perception, without distractions of figurative representation. Its objective was to achieve a supremacy of pure sensitivity in art, where the appreciation of shapes and colors themselves was the ultimate end.
The suprematism, as an artistic current inaugurated by Malevich, marked a before and after in the history of art. Its influence extended beyond painting, impacting fields such as sculpture, architecture and graphic design. Malevich's work opened new paths for abstract art, releasing artists from mimesis limitations and allowing them to explore the infinite potential of geometric abstraction.
In conclusion, "suprematism - 1920" is a tangible test of Kazimir Malevich's genius and his insurmountable contribution to abstract art. This painting not only represents a crucial moment in the evolution of modern art, but also continues to challenge and inspire new generations of artists and spectators, inviting us to reconsider our own perception and understanding of the world through the prism of suprematism.
KUADROS ©, a famous paint on your wall.
Hand-made oil painting reproductions, with the quality of professional artists and the distinctive seal of KUADROS ©.
Art reproduction service with satisfaction guarantee. If you are not completely satisfied with the replica of your painting, we refund your money 100%.