Self -portrait in the easel - 1919


Size (cm): 55x65
Price:
Sale price1.702,00 DKK

Description

The work "Self -portrait in the easel" by Lovis Corinth, painted in 1919, is a powerful manifestation of the relationship between the artist and his trade. Corinth, an outstanding figure of German expressionism, achieves in this self -portrait not only to capture its own image, but also reflect the energy and internal tumult that characterize its artistic practice. At a time where art was debated between realism and radical experimentation, Corinth finds in its self -portrait a way to show its identity and creative process.

The composition of the work reveals an artist absorbed in his work, entrenched behind his easel, an icon of the pictorial process. The painter presents himself as a mature man, with an intense and significant look, which suggests a deep commitment to his art. Each line of its brush seems impregnated with its vital energy. The choice to represent an action, working on his own work, is a comment on the nature of art itself: a continuous dialogue between the creator and his creation.

The use of color in this paint is particularly remarkable. Corinth opts for a rich and vibrant palette, where the fleshy tones of his face contrast with the dark background, which echoes the introspective atmosphere of the artist's study. The nuances of brown, green and blue give life to the image, while the redness of the easel adds a dramatic emphasis. These colors not only provide depth, but also suggest the complex emotions that the artist was going through at that time, between the joy of creating and the personal struggle.

Although there are no additional characters in painting, the absence of other human beings does not remain importance to the meaning of self -portrait. On the contrary, the artist's loneliness underlines the personal and lonely nature of artistic creation. Corinth may be dialogue with his work, but also faces his own experiences, emotions and, perhaps, to his legacy. Inherently human intimacy and vulnerability that are discovered in their gaze invite the viewer to reflect on their own existence and interrelation with art.

Lovis Corinth belongs to a tradition of artists who have used self -portrait as a means to explore self -identity and human condition. His style has been influenced by various currents, including impressionism, which allowed him to experiment with light and color, as well as symbolism, which evidenced his interest in emotions and personal. When observing "self -portrait in the easel", you can draw a line of continuity with others masters as Vincent Van Gogh and Egon Schiele, who also explored their being through self -portrait, each in their own way and in their particular context.

This self -portrait, created in a time of tumultuous changes in Europe, not only rises as a testimony of Corinth's commitment to his art, but also of his indomitable character. Through the attentive observation of this work, the spectators are sent to an introspective trip where art becomes a bridge between the individual and the universe, reminding us that, in the midst of the noise of the world, the act of creating is a of the purest expressions of humanity. Thus, "Self -portrait in the easel" is not just a portrait; It is an invitation to look beyond the superficial and connect with the emotions that define us.

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