Size (cm): 75x50
Price:
Sale price1.807,00 DKK

Description

In the vast panorama of Russian art of the early twentieth century, Kuzma Petrov-Vodkin is found as a unique and inescapable figure. His ability to merge the everyday with the sublime and the real with the ideal is manifested with eloquence in his work "noon - 1917" (Noon - 1917). In this piece, Petrov-Vodkin manages to capture the essence of a moment of tranquility and simplicity, showing a technical mastery and unusual sensitivity to capture the atmosphere of Russian rural life.

In "noon - 1917", Petrov -Vodkin presents a scene in which two human figures occupy the foreground. A man is lying on the ground, apparently resting, while another individual is sitting in a meditative pose, clearly engaged in his thoughts or a conversation with his partner. The connection between the characters is subtle but palpable, and their relaxed positions evoke a sense of peace and communion with the environment. Petrov-Vodkin, with a remarkable skill, makes the observer immerse in this bucolic atmosphere and experience the same serenity that seems to wrap the characters.

Color domain is one of the most remarkable aspects of paint. Earth and warm tones dominate the composition, with a game of lights and shadows that enhances spatial depth and adds an almost tactile dimension to the work. The choice of a restricted chromatic palette, where ocher, brown and green predominate, not only contributes to visual harmony but also reinforces the perception of a summer noon in the Russian countryside. The light, treated with almost mystical softness, wraps the scene of warmth that seems to transcend the canvas.

It is undeniable that the historical context in which this work was created adds an additional layer of meaning. Painted in 1917, crucial year for the history of Russia due to the revolution, "noon" could be interpreted as a visual refuge of the tumultuous events of the time. However, Petrov-Vodkin does not remain oblivious to underlying tensions; Rather, it seems to offer a contemplative pause, a respite for the mind and spirit in the midst of chaos. His characters, oblivious to political cataclysm, suggest a resilient humanity, focused on small delicacies and daily resistance.

The influence of Petrov-Vodkin, formed by his academic studies and his trips, is evidenced in the compositional structure of the work. The somewhat unusual perspective and spatial treatment, which seem at the same time realistic and abstract, reveal their interest in exploring new forms of representation. The tension between the tangible and the intangible, between the concrete plot and the ethereal atmosphere, makes "noon - 1917" a work that invites multiple looks and readings.

In short, Kuzma Petrov -Vodkin achieves with "noon - 1917" a painting that, beyond its apparent simplicity, encloses a conceptual and technical complexity worth admiring. The work is a clear example of how art can capture and perpetuate moments of calm and reflection, becoming a timeless refuge in the face of the adversities of history. This painting is not only a testimony of its creator's ability, but also a reminder of the evocative and healer power of art itself.

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