Citerna's Miser's Soul Damnation


size(cm): 45x60
Price:
Sale price1.507,00 DKK

Description

The painting "Damnation of the Soul of the Miser of Citerna" by the artist Sassetta is a masterpiece of Italian Renaissance art dating back to the 15th century. Originally sized at 45 x 58 cm, this oil painting is an impressive depiction of the Last Judgment and the doom of a rich miser.

The composition of the painting is very interesting, as Sassetta uses a linear perspective technique to create depth and realism in the scene. The miser is in the center of the painting, surrounded by demons and grotesque beings that drag him towards hell. At the top of the painting, you can see Christ and the angels watching the scene from heaven.

Color is another prominent aspect of this artwork. Sassetta uses a rich, vibrant color palette to create a sense of drama and emotion in the painting. Reds, yellows, and oranges are used to represent hellfire, while softer shades of blue and green are used to represent the sky and landscape.

The story behind the painting is also fascinating. It is said that Sassetta was hired by the citizens of Citerna to paint this work as a warning about the dangers of avarice and covetousness. The painting was displayed at the local church as a way to educate the community about the dangers of sin and the importance of living a virtuous life.

Finally, there are little-known aspects of this painting that are fascinating. For example, it is believed that Sassetta used his own image as a model for the doomed miser's face. Furthermore, it is known that Sassetta was a very religious artist and that he spent much of his life in a monastery, which is reflected in his artwork.

In short, Sassetta's painting "Damnation of the Soul of the Miser of Citerna" is a masterpiece of Italian Renaissance art that stands out for its composition, its use of color, and its fascinating history. It is a work of art that remains relevant today as a warning about the dangers of greed and the importance of living a virtuous life.

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