Circus - 1900


Size (cm): 45x85
Price:
Sale price1.872,00 DKK

Description

The work "Circus - 1900" by Eugène Jansson stands not only as a testimony of its author's technical mastery, but also as a fascinating reflection of the cultural and artistic life of the time. Jansson, an outstanding representative of symbolism in Sweden, achieves in this painting Encapsulate the effervescent essence of the circus, a popular phenomenon that, at the end of the 19th century, captured the imagination of both the public dedication and the artists.

From the first glance, the composition of "circus" attracts the viewer to a world of vibrant emotions and a palpable dynamism. The use of color savio, where changes of deep violets and blue, not only establishes a night atmosphere predominate, but also believe an intriguing contrast with the warmest touches introduced by the costumes of some characters and the artificial lighting of the show. This chromatic game is one of the distinctive characteristics of Jansson, which reflects influences of symbolism, but also anticipates elements of Fauvism in its approach to color.

In the center of the scene, human figures can be glimpsed, captured in motion, which seem to remain in a constant state of action and delivery towards an invisible audience. Although faces and expressions are often schematic, they transmit a notable emotional depth; Here, the artist sometimes avoids the precise representation in favor of a more widespread effect. These figures, wrapped in show suits, seem to merge with the environment, suggesting an intimate connection between artists and the world of the circus they represent. The elements of the scene remember the great shows of the time, where the fascination for the unusual and the extraordinary dominated the attention of the public.

Jansson's work not only captures the aesthetic wealth of the circus, but also its deepest symbolism: the search for astonishment and evasion of daily routine which became a need in times of growing industrialization and urbanization. The circus emerges, in this context, as a space of freedom and creativity, a place where normality is challenged and diversity is celebrated.

Eugène Jansson, known for its nightclubs and portraits, uses in "circus" a visual language that establishes a dialogue between reality and fantasy. This fabric offers us a window towards a time when the circus was not only a show, but an amalgam of art, life and a social comment about the human condition.

Although less information about the specific work is available compared to some of Jansson's most famous works, the painting It holds brilliantly by itself as an example of the artist's ability to capture not only the form, but also the spirit of his time. "Circus - 1900" is, therefore, more than a simple representation; It is a vibrant memory of a world in constant change, where the magic of the circus offered a fragrance of adventure and astonishment, inviting the viewer to immerse themselves in the extraordinary.

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