Description
The painting "Virgin and Child with St Rosalina of Palermo" by Bartolomé Esteban Murillo is a masterpiece of Spanish Baroque art. The composition of the painting is impressive, with the Virgin holding the Child Jesus on her lap while St Rosalina kneels at her feet. The serene and motherly expression of the Virgin Mary contrasts with the fervent devotion of St Rosalina, creating an interesting dynamic in the work.
Murillo's artistic style is evident in the softness of the forms and the delicacy of the details. The artist's technique is impressive, with masterful use of chiaroscuro and light to create a sense of depth and realism. The colors used in the work are rich and vibrant, with warm, soft tones evoking a sense of calm and tranquility.
The history of the painting is interesting, as it was commissioned by the brotherhood of Santa Rosalina in Palermo, Sicily. The work was sent to the city in 1665 and became an object of popular devotion. In 1810, the painting was stolen by French troops and taken to Paris, where it remained for over a century before being returned to Palermo in 1912.
Despite its popularity, there are little-known aspects of the painting. For example, it is believed that the figure of St Rosalina was added to the work later, as it does not appear in the original version found in the Prado Museum in Madrid. Additionally, it has been speculated that the model for the Virgin Mary might have been the artist's wife, as she resembles his portrait of her in another work.
In short, the painting "Virgin and Child with St Rosalina of Palermo" by Bartolomé Esteban Murillo is a masterpiece of Spanish Baroque art. Its composition, artistic style, color and history make it a fascinating and admirable work.