Description
The act of observing the painting "Suprematism - 1915" by Kazimir Malevich is comparable to witnessing a silent revolution in the field of pictorial art. In this work, Malevich is disconnected from any figurative representation and installed in the pure kingdom of abstraction. The very essence of suprematism, founded by Malevich, is to raise painting to a pure form of expression, free from any reference to material reality. This particular work is a testament of its dedication to these principles.
The composition of "suprematism - 1915" is built on a juxtaposition of simple geometric shapes. The squares, rectangles and lines seem to float on the canvas, thrown without any apparent order, but revealing a meticulously balanced internal structure. There is a domain of white space, which would not be used so much empty if it were not based on highlighting the importance of forms. In Malevich, the void is not absence, but a potential presence, a reminder of the infinite that the artist seeks to reach.
As for the chosen color palette, the earthly tones and ocher dominate, along with some elements in black and light blue. The use of black is particularly significant in this work, forming blocks that act as visual anchors that stabilize the composition. Through chromatic contrast, Malevich achieves a dynamic tension that captures and supports the viewer's attention. Each color and shape seem to have been carefully considered to invoke a sense of thoughtful serenity and, at the same time, of vibration and energy contained.
There are no recognizable characters or elements according to the traditional perspective. Malevich deliberately dispenses with any figurative element, postulating that pure forms and colors are sufficient to transmit a supreme aesthetic experience. This denial of representation agrees with its suprematist manifesto, in which it proclaims that painting must free itself from the ties of history and everyday reality.
It is worth mentioning that this painting It is representative of the suprematist style, one of the most radical and influential contributions to modern art. The same form of the elements, their alignments and misalignments, seems to challenge the traditional gravity and logic, opening a new field of perceptions. "Suprematism - 1915" It is not only a visual work, but also a philosophical statement on the autonomy of art and its ability to evoke emotions and concepts beyond any traditional narrative or symbolism.
In the context of contemporary art, this painting becomes a bridge towards various subsequent movements, including constructivism and minimalism, which are also based on principles of reduction and formal purity. Malevich's influence is felt on the work of artists such as Lissitzky and Piet Mondrian, who also explored geometric abstraction in search of a universal truth.
A work like "suprematism - 1915" invites spectators to reconsider their perception of art and embrace a form of aesthetics that transcends mere visual representation. It is a work that challenges, that uncomfortable, but above all that invites a deep reflection on the very nature of art and its ability to transform our way of seeing the world. In sum, painting is a testimony of the prophetic vision of Kazimir Malevich and his unwavering belief in the unlimited potential of abstract art.
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