Description
In the vast constellation of abstract art, supreme painting - 1918 of Kazimir Malevich emerges as an indispensable star that illuminates and challenges our perception of the visual world. At first glance, this work may seem hermetic, confined in its geometric and minimalist austerity. However, a deeper observation reveals Malevich's masterful capacity to convert shapes and colors into a visual symphony that transcends conventional barriers of artistic representation.
Kazimir Malevich, one of the pioneers of abstract art and founder of suprematism, challenged the prevalent norms of art at the beginning of the 20th century by proposing the supremacy of pure sensitivity in artistic creation. Supremeism, as its name suggests, advocates the superiority of basic geometric shapes and the radical use of color to express a sensation of universality and spirituality. Supreme Painting - 1918 is a paradigmatic illustration of this philosophy.
The composition of supreme painting - 1918 is dominated by geometric shapes organized in a balance that seems to challenge gravity. Against a pristine white background, rectangular and square figures of various sizes and colors are apparently at random, but in reality, they obey an intrinsic logic of harmony and contrast. These floating elements evoke a sense of movement and dynamism, as if they were in an indefinite three -dimensional space, being lost in an ethereal vacuum.
It is essential to observe Malevich's chromatic choice in this work. The primary colors - red, blue and yellow - predominate along with black and some subtle tones of gray. It is remarkable how Malevich uses these colors not only as mere pigments, but as living entities that interact with each other. The contrast between the vibrant red and the serene blue, for example, generates a visual tension that results in a palpable energy along the surface of the canvas. This use of colors does not have a narrative purpose, but intends to invoke an emotional and contemplative response of the viewer.
There are no characters represented in this painting, which is consistent with the principles of suprematism, which rejects figuration in favor of pure abstraction. Malevich seeks to transcend objective reality and submerge the viewer in a metaphysical contemplation space. By eliminating any reference to the concrete and the mundane, it invites an introspective and universal experience.
A less known but deeply influential aspect of Malevich's work is its relationship with the philosophical and spiritual notions of the time. Influenced by mysticism and theories of the fourth dimension, Malevich uses abstract geometry to refer to realities beyond the usual sensory perception. The "Supreme Painting - 1918, therefore, should not only be seen, but also felt as a bridge towards the transcendental.
Kazimir Malevich, with his supreme paint - 1918, offers us a window towards a dimension where the shape and color are released from figurative constrictions to become vehicles of a pure aesthetic experience. When contemplating this work, we are invited to abandon our preconceptions about art and to get carried away by the vibrations and resonances that emanate from its geometric and chromatic structure. Thus, in its apparent simplicity, painting becomes a powerful declaration of creative and spiritual freedom, consolidating Malevich as one of the great visionaries of modern art.
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