Naked standing (Elvira) - 1918


Size (cm): 55x85
Price:
Sale price$396.00 CAD

Description

In the work "Standing (Elvira)" of Amedeo Modigliani, created in 1918, there is one of the purest manifestations of the unique style of the artist, which combines influences of Cubism and African sculpture with an almost spiritual approach on the figure human This portrait of a naked female figure, which stands with grace and dignity, presents not only Modigliani's technical ability, but also its particular perception of beauty and sensuality.

The composition of the painting is simple but powerful. The figure of Elvira, who is considered the artist's muse, is standing against a background that blurs, letting the attention focus on his figure. The posture is upright, showing confidence that contrasts with subtle touches of vulnerability. The elongation of torso and limbs, distinctive characteristics in the work of Modigliani, give the figure an almost ethereal air, as if floating in a space that has no defined limits. This stylization makes Elvira a representation of the ideal, rather than the real, an aspect that can be related to the interpretation of the human body that Modigliani developed throughout his career.

The colors used in "naked standing" are predominantly warm, with earth subtons and golden nuances that provide warmth to the skin of the model. The simplicity of the color palette, where beige and ocher tones predominate, highlights the bare figure and makes it the main focus of the work. This use of color also evokes a feeling of intimacy and closeness, providing a sense of connection between the viewer and the figure represented. The absence of a detailed background allows the viewer's vision to slide towards the frank and sincere naked nudity of Elvira, evading distractions and promoting a deeper contemplation.

Amedeo Modigliani, known for his portraits and naked, resorted to models that were not only sources of aesthetic inspiration, but also of emotional connection. Elvira, as a model and muse, embodies not only physical beauty, but also the fascination that Modigliani felt for the female figure and the complexity of human experience. The search for this ideal translates into the way in which the artist portrays not only the external appearance of Elvira, but also an assumption of its inner essence.

The work is located in an artistic context that is often characterized by its struggle between tradition and modernity. Modigliani, as of 1909, began to release his figures from academic conventions, which resulted in formal simplification and an accentuation of emotional expression. Although his career was tragically brief, his impact on modern art endures, manifesting himself in a path he opened for the exploration of the portrait and the nude towards more contemporary approaches.

"Standing standing (Elvira)" is, without a doubt, a testimony of the mastery of Modigliani, a work that not only catches the look, but invites a deeper reflection on the beauty, vulnerability and essence of the essence of the human being. In it, technique, emotionality, and the search for the eternal, aspects that place it as a brilliant example within the corpus of their work and the art of the twentieth century are intertwined.

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