Parquet brusters (floors scratches) - 1875 - Wikipedia article


Size (cm): 75x50
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Description

In "Parquet brusters" (1875), Gustave Cailbotte immerses us in a daily moment that transcends the banal, raising a seemingly humble work scene to a masterpiece of French realism. This canvas, which belongs significantly to the impressionist movement although it is distances itself from the techniques of its contemporaries, captures the interaction between the workers and their environment with a lucidity that is characteristic of the author, who is recognized for his focus on the modern life of the city .

The composition of the work is remarkably innovative. The scene is organized in an architecturally structured space, where the two brushers seem to occupy a harmonious interaction in an interior space. The diagonal formed by the plane of the soil, which is in the foreground and that is being worked, guides the viewer's gaze towards the bottom where the natural light that comes from an open window is sheltered. This use of the linear perspective, a fundamental concern of Cailbotte, not only reinforces the feeling of depth, but also suggests a contrast between manual labor and serenity of the light environment.

The colored palette that Cailbotte uses is another feature that highlights in this work. The brown and beige tones of parquet, which occupy most of the painting, They effectively reflect the texture of the material and the light that touches it. The subtle nuances in the treatment of light that affects the parquet boards give a tangible volume and reality. In contrast, the men who work, dressed in dark colored clothes, seem to blur in the luminous atmosphere of the room, thus symbolizing the anonymity of work in contemporary society. The figures are solid and well delineated, but they are not idealized, reaffirming Cailbotte's commitment to an objective representation.

The characters in the painting, with their concentrated expressions and their solved physical gestures, transmit the dedication and effort inherent in their activity. The faces, although they are not detailed in an ostentatious way, could be seen as representations of the working class, documenting not only their work, but also the social context to which they belong. This interest in working classes distinguishes Cailbotte from many of their contemporaries, who often privileged bourgeois life or landscapes.

A fascinating appearance of "Parquet brusters" is their place in art history. The work, although it was subject to initial controversy, contributed to the evolution of the approach to the representation of the everyday in art. Instead of representing luxury or idealized scenes, Cailbotte chose to portray the urban work and transformations of Paris, aligning with a spirit of modernity that was fundamental in the development of impressionism. Its use of perspective and light can also be seen as a precursor to the most abstract approaches that would arise in later decades.

In conclusion, “Parquet's brushes” by Gustave Caillebotte is not only a testimony of the painter's technical ability, but also a deep reflection on urban life and the human condition. Through his representation of work, the artist invites us to contemplate beauty in everyday life, while reminding us of humanity behind each effort. The work is a celebration of realism that captures not only the essence of a specific moment, but also the widest narrative of modernity in the times of Cailabotte, placing it in a significant place within the history of art.

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