Madame Pierre Seriziat (née Emilie Pecoul) with her son - Emile - 1795


size(cm): 55x75
Price:
Sale price$374.00 CAD

Description

The painting "Madame Pierre Seriziat (née Emilie Pecoul) with her son Emile", painted in 1795 by Jacques-Louis David, is a work that encapsulates the mastery of neoclassicism and the intimacy of the family portrait, a genre to which the artist brought a renewed sensitivity. In this work, David captures not only the appearance of his sitter, but also a moment of emotional connection between mother and son, evoking the tenderness and sweetness of the maternal bond.

The composition is carefully balanced. Madame Seriziat is placed in the centre, her face illuminated and her expression calm, communicating her pride and maternal love. The position of her body is relaxed, but also deliberately structured; she is slightly turned towards her son, which loses an air of formality and lends a palpable closeness to the portrait. The child, Emile, with his innocent expression, draws the viewer’s gaze, fitting perfectly into this atmosphere of affection. David chooses to depict the child standing, holding himself in his mother’s hands, which underlines his vulnerability and at the same time his security in being at her side.

The use of colour in this work is remarkable. David employs a soft, natural palette that unfolds in muted shades of beige, green and blue, conferring an atmosphere of serenity and harmony. Madame Seriziat’s dress, rich in detail and texture, contrasts with the pale skin tone of both characters, further highlighting their humanity and the warmth of their relationship. The background, created with a subtle fading of shadows, complements the subjects without distracting attention, providing a context that evokes the daily life of the well-to-do class of the time, without falling into excessive ornamentation.

One of the most interesting aspects of this work lies in the historical context in which it was created. Jacques-Louis David was a leading proponent of neoclassicism, and in this portrait, he fuses classical qualities, such as the focus on the figure and the use of space, with a more modern focus on the naturalness and psychology of the characters. This portrait is not just a visual representation; it is a testament to the values ​​of the French Revolution and a reflection of the role of women in late 18th-century society, where motherhood and family life were beginning to be valued in a broader context.

Through this work, David not only presents us with an individual face and story, but also addresses universal themes of love, loyalty and the role of family, elements that resonated strongly in his time and that still resonate with the contemporary viewer. In a time of tumult and change, this portrait emerges as a representation of the stability and beauty of family intimacy.

“Madame Pierre Seriziat with her son Emile” is not simply a portrait; it is a symbol of human connection that transcends time and context, inviting all to reflect on the eternal dynamics of love and motherhood. David’s work not only reveals his virtuosity as a painter, but also his ability to capture the essence of what makes life worth living. In this sense, David not only documents his subjects, but also celebrates humanity in its purest form.

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