Description
Kazimir Malevich, pioneer of suprematism and one of the icons of modern art, is a fundamental figure to understand the evolution of abstract art in the twentieth century. His work "in the morning started from Lviv - 1914" encapsulates a crucial stage in its artistic development and offers a visual testimony of a trip, not only physical, but also spiritual and stylistic. This painting It stands out for its complex overlap of geometric shapes and colors that, although apparently chaotic, reveal a precise and meditated compositional structure.
When observing the paint, a predominance of straight lines and geometric figures that intersect in a kind of visual ballet is highlighted. We can identify a series of rectangles, triangles and irregular shapes that are distributed throughout the canvas, creating a sense of movement and dynamism. It is this game of forms that gives life to the title of the work itself, suggesting a game and a trip through the use of geometry and color. In this sense, Malevich manages to convey the idea of transit and change without resorting to traditional figurative representations.
The colors used by Malevich in this work are both vibrant and strategically arranged. The contrast between the reds, yellow, green and blue with the white background not only attracts the attention of the viewer, but has an almost hypnotic effect. The choice of white as background color is not accidental; In suprematism, white represents infinity, pure space where shapes and colors can exist in its most essential and spiritual state.
"In the morning he started from Lviv - 1914" embodies the principles of suprematism, movement that Malevich founded with the intention of transcending the objective representation of reality and reaching an expression of pure sensitivity. This painting It is a clear manifestation of that search for the absolute, where geometric shapes do not represent tangible objects, but are entities in their own right, carriers of meaning in their purity and simplicity.
It is also important to notice the date of painting, 1914, a year in which the world was on the edge of the abyss of World War I. Malevich, through his art, seems to be in a search for a new visual language in a period of instability and change. The departure from Lviv can be interpreted metaphorically as an attempt to escape a world in crisis and seek refuge in a kingdom of harmony and order within chaos.
This painting is also representative of Malevich's interest in the fourth dimension and perception of time, concepts influenced by Einstein's theory of relativity and contemporary philosophical ideas. The shapes and colors seem to float and move in space, suggesting a non -linear relationship between time and movement.
In summary, "in the morning he left Lviv - 1914" is a work that encapsulates the essence of suprematism and the spiritual concern of Kazimir Malevich. It is a painting that, like much of his work, challenges the viewer to look beyond the surface and to enter a world of shapes and colors that operate under their own laws of harmony and meaning.
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