I saw Figure 5 in gold (William Carlos Williams) - 1928,


Size (cm): 60x75
Price:
Sale price$381.00 CAD

Description

The painting "VI Figure 5 in Gold" (1928) by Charles Demuth is a work that embodies the fusion of modernity with poetic intimacy, a visual celebration of the song of an era that is on the threshold between tradition and innovation. This work was inspired by a poem of the same name as William Carlos Williams, which evokes urban experience and dynamic vitality of modern life. The choice of title not only establishes a literary connection, but also provides a context that enriches visual interpretation.

Demuth, a prominent representative of the movement known as "precisionism", combines in this work elements of figurative painting and abstraction, creating a singular form that challenges conventional categorizations. The composition focuses on the figure of number 5, painted in a vibrant golden tone that immediately captures the viewer's attention. This number, in addition to representing an abstract element, symbolizes a reference to the modernity and technology of the time, evoking the numbers of the streets and the moving vehicles of an American city.

The work is characterized by color management that is both bold and strategic. Gold shines, instilling energy to the composition, while a background in dark tones suggests a night atmosphere, almost mystical, which highlights the central figure even more. The abstract elements surrounding the number 5 are arranged in such a way that they lead the viewer's gaze, creating a sense of movement that reflects the speed of urban life. This representation of contemporary experience is a distinctive brand of Demy's work, who was a pioneer in capturing the essence of the industrial landscape and the ??????????? In the United States.

The use of color and light in "VI Figure 5 in gold" is worth mentioning, since it reflects the influence of European painting, especially Fauvism and Cubism, although it maintains a clearly American approach. The geometric shapes that flank the gold number account for an architecture of modernity, manifesting a sense of order and clarity that contrasts with the complexity of urban life. Thus, Demy manages to evoke a feeling of balance within a dynamic composition.

As for the narrative, this composition does not present characters in the conventional sense, but the number 5 can be interpreted as a symbol of identity and existence in an urban world. When integrating elements of Williams poetry with his own artistic vision, Demuth transforms a simple number into a vibrant character that speaks of modernity, individual identity and the passage of time.

The creation of "VI Figure 5 in Gold" is not only an answer to Williams' work, but also an introspective look towards the context in which Demy worked. The painting is at a time when America of the early twentieth century experienced a drastic change, driven by industrialization and technological advances. This work thus becomes a visual testimony of an era, reflecting the restless spirit and the energy of a society in rapid transformation.

Through "VI Figure 5 in Gold", Charles Demuth not only pays tribute to the poetry of his friend William Carlos Williams, but also establishes a dialogue between literature and visual arts. This work, rich in symbolism and technique, continues to resonate in the contemporary artistic field, reminding us of the power that may arise from the convergence of different disciplines and the way in which art can capture the essence of an era.

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