Hate man naked under the sun - 1873


Size (cm): 60x75
Price:
Sale price$382.00 CAD

Description

The work "Nude from man to the sun" by Mariano Fortuny, made in 1873, is an emblematic manifestation of the artist's talent, known for his exceptional ability in the management of light and form. This painting, which enrolls in the tradition of academic nude, presents a reclined male figure that sunbathes in an environment that seems to evoke the warmth of Mediterranean life. Fortuny, who was a master In the capture of light and texture, it develops in this work an atmosphere of calm and contemplation through its master use of color and composition.

The central figure, an older man, is represented with a remarkable realism that is both honest and probation. His exposed skin shines with the reflexes of the sun, whose light seems to embrace the model and create a tension between the figure and the background. Leather tones, which vary from golden warm to the most pale clearings, are a testimony of Fortuny's talent to capture the vitality and fragility of the human condition. The form of the human body, especially in the way the musculature of the limbs is described, reveals not only the technical domain of Fortuny, but also its deep understanding of the anatomy and its respect for the body as a vehicle of expression.

As for the composition, the use of space is fundamental. The almost reclined figure is located in a diagonal that guides the viewer's eye through the work, from the head to the feet, creating a visual flow that emphasizes the serenity of the moment. The environment, although less worked in terms of detail, suggests a connection with nature that is characteristic of the art of the nineteenth century, as well as the search for an aesthetic ideal and the exploration of natural light.

The colors used in the paint are predominant in its warm palette, with nuances of yellow, oranges and terrible that evoke the warmth of the sun and generate a feeling of well -being. Fortuny moves away from the most gloomy palettes that could be characteristic of other painters of their time, choosing instead a vibrant approach that reflects a life full of light, as opposed to the drama of romantic painting.

The figure of the naked man in art has been represented throughout history, but the treatment that Fortuny gives him is singular. His nude does not seek to awaken sensuality explicitly; Rather, it focuses on the human being as an entity that finds peace and connection with the natural world, a message that resonates with the ideal of the art of beauty and truth.

The "nude from man to the sun" can also be seen in the continuity of the tradition of nude as a classical theme of art, which has been reinterpreted by various artists throughout the times, from the ancient Greeks to the masters of the Renaissance and the contemporaries. Through his work, Fortuny not only pays tribute to this tradition, but also establishes a dialogue with her, adding her own personal nuance.

In conclusion, "naked of man in the sun" is not only a representation of the male body but a visual reflection on life and light, the passage of time and the fate of the human being in the universe. It is a work that invites the viewer to contemplate not only the intrinsic beauty of the human body, but also the transformative effect of sunlight on form and spirit. As such, Mariano Fortuny is consecrated, once again, as a master that captures the whisper of life in his brush and moves him to the canvas.

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