Size (cm): 75x60
Price:
Sale price$380.00 CAD

Description

Kazimir Malevich's "Flowergirl" Painting ("Flowergirl") represents a fascinating window to a period in the artist's career that is often eclipsed by his most famous work associated with suprematism. This piece, which dates back approximately 1903, shows us to Malevich at a time of stylistic transition, before his search for geometric abstraction leads him to the creation of iconic works such as "Black Square."

In "Florist", Malevich presents us with a female figure in the center of the composition. The woman, presumably a flower seller, is dressed in typical clothes of the time, which suggests a connection with everyday life and possibly with her social environment. The figure holds a bouquet of flowers, which is the main focus of the scene and is distinguished by its vibrant color.

The color palette in "florist" is remarkable for its warmth and diversity. The reddish and orange tones of the woman's dress contrast with the greens and purple of the background, as well as with the diverse colors of the flower bouquet. This juxtaposition of colors not only guides the viewer's gaze towards the center of the work, but also adds an emotional and evocative quality to the scene. In addition, the use of color here is a precursor to how Malevich would later use flat and contrasting colors in his supreme work to explore abstract relationships.

Malevich's technique in "Florist" exhibits a clear mastery of drawing and figurative painting. The figure is clearly and precisely outlined, and details such as the folds of the dress and the flowers of the flowers are rendered with remarkable attention and delicacy. From a detailed inspection, you can see the texture and care in the brushstrokes that Malevich used to give life to this scene.

What may be the most intriguing of "florist" is his place in the artistic evolution of Malevich. Before erected as the leader of the Supreme Movement, Malevich went through a series of stylistic phases, including symbolism and neo -impressionism. "Florist" can be considered a liminal work, a piece that preserves the detailed figuration characteristic of its first works, while using the color and shape in a way that prefigures its subsequent abstract explorations.

It is important to remember that the historical and cultural context also played a crucial role in Malevich's career. The artistic atmosphere of pre-refolving Russia was a melting pot of styles and influences, and Malevich, like many of its contemporaries, was constantly searching for new forms of expression. In this sense, "Florist" is not only an independent work of art, but also a testimony of a moment of search and experimentation in the rich trajectory of Malevich.

The "florist" of Kazimir Malevich, with its careful composition, its bold use of color and its affectionate representation of a common female figure, offers an enlightening vision of the artistic path that would finally lead the artist to revolutionize the world of art with his suprematist language . It is a work that deserves to be appreciated both by its own beauty and for its meaning within the artist's development.

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