Bañista with cigarette - 1924


Size (cm): 50x85
Price:
Sale price$386.00 CAD

Description

The work "Bañista with cigarette" by Yasuo Kuniyoshi, carried out in 1924, is erected as an outstanding example of the intersection between the artist's Japanese cultural heritage and his assimilation of the modern currents of American art. This painting, which represents a female figure in an aquatic environment, not only invites reflection on aesthetic values ​​and symbolism inherent to female nude, but also provides a deep visual analysis in terms of form, color and composition.

The central figure of the work, a woman of stylized features, exhibits a relaxed posture, sitting on the shore of water, holding a cigarette. This element, somewhat unexpected in the representation of women in a traditional context of bathers, provides a narrative complexity, suggesting a tension between the tranquility of the aquatic environment and the act of smoking, which may imply issues of freedom or disinhibition. This game between innocence and a subtle hint of rebellion composes the emotional center of the work.

Kuniyoshi, known for his acclaimed representations of the human figure, moves here towards a simplification of forms and bold color use. The palette of the paint is dominated by soft and warm tones: blue, gold and roses that invoke an atmosphere illuminated by the sun. This chromatic choice not only affects the mood of the work, but also reinforces the three -dimensionality of the figure, placing it in a natural environment that seems to vibrate with life.

The composition is ingenious; The figure sits in a landscape that unfolds around it. Water reflects the tones of heaven and, in turn, suggests a sense of movement and fluidity that contrasts with the immobility of the female figure. The contours of the figure are soft and rounded, which in turn is enhanced by the curved lines of water and sand. This attention to the contour and the use of organic forms are characteristic features of Kuniyoshi that invite the viewer to appreciate the aesthetics of the moment.

It is interesting to consider the context in which Kuniyoshi created this work. Born in Japan in 1893, he moved to the United States in his youth, where he was influenced by the movement of realism and modernism, as well as by traditional Japanese art. "Cigarette swimsuit" can be seen as a manifestation of this cultural duality: it reflects both its own roots and the development of an artistic identity in a new context. Through his work, Kuniyoshi contributed to the narrative of an American art that was not only inclusive and diverse, but also passionate about exploring unusual and complex issues.

The work is an example of the Renaissance that took place in the visual arts in the interwar period, where many artists began to question aesthetic and social regulations in their representations. "Cigarette swimsuit", far from being a simple representation of everyday life, is a reflection on modernity, identity and complexity of the human condition. Each look at this painting reveals new facets of his speech, making it an object of constant admiration and study.

In conclusion, "swinger with cigarette" is more than a work of art; It is a testimony of the path that Yasuo Kuniyoshi toured as an artist, the confluence of his cultural experiences and his sensitivity to the currents of modern art. The balance achieved between form, color and theme, together with the bold inclusion of an unexpected element such as cigarettes, makes this piece a visual dialogue that lasts over time, inviting the viewer to a world where aesthetics and meaning are intertwined sublime.

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