Apple picking in Eragny-Sur-Epte - 1888


size(cm): 75x60
Price:
Sale price$387.00 CAD

Description

Camille Pissarro's Apple Picking at Éragny-sur-Epte (1888) is a splendid example of the impressionist approach that the artist developed during his stay in this French town. In this painting, Pissarro captures the essence of rural work, a recurring theme in his work, full of life and colour, and stands out for his ability to capture the light and atmosphere of the natural landscape.

Looking at the work, one can appreciate a carefully structured composition that draws the viewer's gaze into the center of agricultural activity. The scene shows two women harvesting apples, effectively portraying both physical effort and connection to the land. Pissarro uses a vibrant and luminous palette, where the green tones of the foliage and trees contrast with the warm hues of the apples and the workers' clothing. This color choice not only provides a sense of realism, but also infuses the painting with a freshness that evokes the essence of nature in full activity.

The arrangement of the characters is central to the visual narrative of the work. The women, with their arms outstretched towards the branches, suggest both teamwork and the imminent act of harvesting. The figure on the left, closest to the viewer, seems almost an extension of the tree, a symbol of the integration of humans with their environment. The background features a landscape that blends into the sky, displaying the soft transitions of color that characterize the Impressionist style, where loose, rapid brushstrokes create a sense of movement and vibrant life.

In addition to its obvious technical mastery, Apple Picking also reflects the social concerns of Pissarro, a proponent of Impressionism and agricultural labor at a time of increasing industrialization in France. By choosing to depict female workers in the fields, the artist grants a place of dignity and relevance to rural labor, which was often overlooked in other artistic representations of the time.

Pissarro, as part of the Impressionist movement, seeks to go beyond the mere exact representation of reality, seeking to invoke an emotional and sensorial experience. The light that filters through the trees and bathes the scene in warm colors evokes a serene and yet dynamic atmosphere. Shadows play a crucial role in shaping the space of the painting, creating a depth that invites the viewer to enter the scene, to experience the closeness of the harvest.

This work by Pissarro is a testament to the development of Impressionism, highlighting the importance of everyday elements and rural life, and allowing for a deeper appreciation of the places and people who inhabit them. "Apple Picking at Éragny-sur-Epte" not only celebrates the act of harvesting, but also encapsulates a moment in time where nature and human labour meet in perfect harmony, a key principle that Pissarro and his contemporaries aspired to capture in their works.

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