Size (cm): 75x60
Price:
Sale price€259,95 EUR

Description

Francisco Goya's "run", painted in 1784, is a vibrant and dramatic representation of the bullfighting tradition that took place in Spain, a recurring theme in the culture and art of the country. This painting is registered within the context of romanticism and the first manifestations of neoclassicism that characterize Goya's artistic production in the beginning. In this work, Goya captures not only the action of bullfighting, but also the emotions and tensions that emanate from this ritual so entrenched in Spanish society.

The canvas unfolds before the viewer in a dynamic and asymmetric composition, where a bullfighter stands as a central figure, while the bull, symbol of strength and vitality, is cut in a posture loaded with energy. Goya uses a palette of warm and terrible colors, predominantly ocher and brown, which brings to the work an almost palpable atmosphere of heat and tension, evoking the emotion of the public that observes the event. The tones of the bullfighter's clothing, which communicates the traditional and the aesthetic in bullfighting art, contrast with the darkest and darkest background, suggesting an environment of expectation by the spectators.

The characters that inhabit the work, although they are not treated with specific details, play a crucial role in the construction of the emotional environment. The faces of the spectators, outlined by the shadow and the light in a subtle way, are perceived as an echo of the emotions that are lived in the square. This Goya's ability to transmit the essence of the crowd through simple and effective strokes is one of the distinctive characteristics of its style and a precursor to the impressionist technique.

In addition to his virtuosity in the capture of action and emotion, it is interesting to point out that "run" is not simply a bullfighting celebration; It can also be interpreted as a reflection on violence and struggle in life itself. Goya, known for his ability to capture the duality of human nature, offers a critical look at a show that awakens both admiration and repulsion. This duality resonates deeply in the tradition of Western art and is a recurring theme in his work, where he sublime and the grotesque coexist in a constant tension.

In the field of bullfighting art, Goya is not alone. His contemporaries, as well as later artists, have also been influenced by this tradition. paintings as "the death of a bullfighter" or "the disasters of war" complement the grecble vision of struggle and tragedy, adding layers of significance to the relationship between art, life and customs. Goya, therefore, is positioned as a bridge between the art of the past and the modernist currents that would explore similar issues in the nineteenth and twentieth century.

In conclusion, "run" is a work that encapsulates both the exuberance of the bullfighting tradition and the exceptional talent of Francisco Goya to express the complex of human experience through his art. This canvas invites us to reflect on the reality it represents, the culture that sustains it and the contradictions inherent in the celebration of life and death. Goya, through his brush, confronts us not only with the beauty of movement and color, but also with the deep and often disturbing relationship between art and existence.

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