Apple plate - 1879


Size (cm): 70x60
Price:
Sale price€246,95 EUR

Description

The work "Apple plate" (Dish of Apples) by Paul Cézanne, created in 1879, is erected as a silent testimony of the transition towards modernity in painting. This work is still registered within the characteristic post -impressionist style of Cézanne, who sought to capture the essence of objects through a solid construction, in addition to being interested in the interaction between shape and color. At first glance, the painting It presents a plate of apples in a domestic environment, a relatively simple representation, but that, under Cézanne's acute look, reveals a latent complexity.

The composition of the painting is interesting in its asymmetry. The apples, instead of being carefully placed in a conventional and harmonious order, seem to inhabit the dish in an almost spontaneous way. This aesthetic decision of Cézanne offers a series of interpretive possibilities; It perhaps reflects the capricious nature of life itself, or its desire to represent it with a more authentic approach, away from academic conventions. The use of color in this work is equally significant. The red tones of apples are rich and vibrant, contrasting with the darkest and darker tones of the bottom and the plate, which seem to be less defined and smaller brushstrokes. This color treatment contributes to the feeling of depth and three -dimensionality, qualities of which Cézanne was a pioneer.

It is also remarkable that the shadows play a crucial role in the work. The light that affects apples and the dish not only defines its forms, but also establishes an atmosphere that summons a feeling of realism deeply rooted in the painter's premise to observe nature with new eyes. Although there are no human characters on the scene, the presence of objects and the environment feels intuitively loaded with life. It could be argued that the relationship between inanimate elements evokes an implicit narrative, suggesting the signing of domesticity and intimacy.

The painting is inserted in a broader context within the artistic production of Cézanne, in which other similar works are found as its series of lifes. Throughout his career, Cézanne dedicated himself to exploring the representation of fruit, not only as an academic exercise, but as a form of research on structure, light and form. This interest led him to use a visual language that, although related to his impressionist inheritance, distances himself through his focus on geometry and volumetric construction.

The work "Apple plate" is, in essence, a microcosm of the painter's concerns and aesthetic searches. Cézanne invites us to see beyond visible forms and pushes us to explore the subtle relationships that define our perception of reality. It is an essay on painting as a means to capture the essence of being, and, in this sense, it becomes a fundamental work to understand not only the evolution of modern art, but also the complexity of Cézanne himself, a precursor of abstraction which still resonates in contemporary artistic practice.

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