Tears - 1895


Dimensione (cm): 55x135
Prezzo:
Prezzo di venditaруб32.100,00 RUB

Descrizione

Frederic Leighton's 1895 work "Lachrymae" is a splendid example of the British artist's mastery of the Pre-Raphaelite style and Victorian classicism. Symbolising grief and loss, this painting presents us with a profound exploration of the emotional universe through the female figure, a recurring theme in Leighton's art. The path of his artistic development up to that time had been marked by a constant interest in the representation of the human body and the expression of emotions through form and colour.

When looking at “Lachrymae”, the first thing that catches the eye is the central figure: a classically beautiful woman, dressed in flowing, ethereal clothing. Her posture, delicately leaning forward, evokes a sense of melancholy that resonates with the theme of crying or suppressed pain, as suggested by the title, which translates as “tears”. The choice of subtle colouring, dominated by warm, earthy tones, is harmoniously combined with touches of blue and gold that bring the scene to life, creating an atmosphere that is both poetic and introspective.

The color palette is characteristic of Leighton's work, who often used rich, detailed hues to create an almost three-dimensional effect in her figures. In "Lachrymae," the contrast between the softness of the fabrics and the tension of the figure lends a visual force that invites the viewer to contemplate the emotional charge it represents. The carefully directed light focuses on the woman's face, which is a focal point of the work; her features reflect a mix of pain and resignation, suggesting a deep story behind her expression.

In addition to the figure itself, the background of the painting plays an equally important role. Leighton chooses an abstract, diffuse landscape that does not compete with the main figure, but rather complements it. The softness of the edges and the texture of the background help to highlight the figure, accentuating its fragility and vulnerability. This use of light and shadow is characteristic of Leighton, who always sought to imbue her works with a sense of atmosphere and emotionality.

It is interesting to note that Lachrymae is not just a representation of suffering; it also reflects Leighton's concern with themes such as beauty and the transience of life, which are central to her work. Like many of her other creations, this painting moves between tradition and innovation, and can be seen as a commentary on the human condition, lost love and inevitable sadness understood through the lens of Victorian aesthetics.

The female figure in art has been represented in various dimensions throughout history, and in this case, Leighton captures her essence as both a symbol of beauty and emotional fragility. The work can be seen not only as an individual portrait of a human experience, but also as part of a broader legacy in which art is used to explore and express emotional complexities through form and colour.

"Lachrymae" falls within the rich tradition of symbolism in art, and while not every aspect of the piece is entirely recognizable, its visual and emotional impact still resonates. This work not only demonstrates Leighton's technical skill, but also her deep understanding of human feelings, making it an invaluable piece within her corpus and art history at large.

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