Still Life Three Salmon Fillets - 1812


Taille (cm): 75x55
Prix:
Prix ​​de vente£203 GBP

Description

Francisco Goya's "Still Life with Three Salmon Fillets" (1812) is a splendid example of the development of the still life genre in Spanish painting. In this work, Goya moves away from his more dramatic and political themes, focusing on the depiction of still life with a mastery that reveals both his technical skill and the subtlety of his observation. The composition features three salmon fillets, arranged on a table with a simple, dark background that highlights the fresh, shiny flesh of the fish.

The choice of salmon may seem trivial, but Goya manages to turn a simple subject of everyday life into a meditation on the quality and transience of life. The fillets, arranged in such a way as to suggest a curvilinear dance, are painted with an exuberance of colors that evoke not only the freshness of the fish, but also a rich palette that plays with the contrasts between the orange and pink tones of the salmon and the darkened background. This chromatic choice is typical of Goya’s mature style, where light, color and form combine to promote not only a realistic representation, but also an aesthetic experience that invites contemplation.

The attention to detail in the depiction of the fillets is astonishing. Goya displays obvious skill in the execution, capturing the texture and reflections in the salmon skin as well as the juicy veins of the flesh. The use of loose, yet controlled brushstrokes allows the viewer to almost feel the substance of the fish, establishing a strong link between the work and the viewer's tactile experience. In this sense, Goya is not just depicting food, but reminding us of the sensuality of everyday life, inviting us to appreciate the mundane with a new intensity.

It is interesting to note that this still life was painted at a tense time in Goya's life, characterized by fear and political instability in Spain due to the Napoleonic invasion and its aftermath. In this context, one can speculate that Goya's works, while dealing with themes of violence and human suffering, also seek refuge in the simplicity and serenity of still life. It is as if, in contemplating the beauty of these fillets, Goya is offering a pause amidst the chaos, a moment of grace in the midst of adversity.

The work also stands in the tradition of still life painting that had been cultivated by artists such as Juan Sánchez Cotán and Francisco de Zurbarán. Both painters, known for their meticulous attention to detail and balanced composition, interrupted the seriousness of the moment by presenting the beauty of the everyday. Although Goya incorporates elements of this canon, his approach is distinctively personal, blurring the lines between the art of representation and emotional impression.

"Still Life with Three Salmon Filets" is therefore a work that is not only beautiful in form; it is a work that invites reflection on the fragility of existence, the passage of time, and the stillness that can be found even among the ephemeral. This still life is a testament to Goya's virtuosity, his ability to transform the everyday into a moment of sublime art, and his skill in capturing the human essence in the representation of nature itself. The dialogue that it establishes between the viewer and the work offers us a moment of pause and contemplation, which remains relevant even in the contemporary context.

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