Turkeys, Rooster, Mother Hen and Chicks in The Field


size(cm): 45x35
Price:
Sale price4,675.00TL

Description

Angelo Maria Crivelli's painting, Turkeys, Cock, Mother Hen, and Chicks in the Countryside, is an impressive work that combines the natural beauty of the landscape with wildlife in a harmonious and captivating scene. Known for his ability to capture the essence of nature in his works, the Italian artist uses a realistic painting technique to create an image that appears to leap from the canvas.

The composition of the painting is impressive, with a careful arrangement of the animals that creates a sense of movement and action. The rooster stands in the center of the image, with its tail feathers reaching upwards and its wings spread in a majestic gesture. Hens and chicks are grouped around the rooster, while turkeys are in the background, walking across the grassy field.

Color is another prominent aspect of the painting, with a vibrant palette reflecting the beauty of the rural landscape. The warm tones of the grass and trees contrast with the bright colors of the animals, creating an image full of life and energy.

The story behind the painting is interesting, as it is believed to have been commissioned by an Italian nobleman in the 18th century to decorate his country residence. The work has been admired by generations of art lovers ever since, and has been exhibited in various museums and galleries around the world.

A little known aspect of the painting is that Crivelli used highly advanced painting techniques to create the image. He used layers of translucent paint to create a sense of depth and texture in the image, making the animals appear almost lifelike.

In short, the Turkeys, Cock, Mother Hen, and Chicks in the Countryside painting is a masterpiece of realist art that stands out for its impressive composition, vibrant palette, and advanced painting technique. It's an image that continues to captivate viewers today, and is a testament to Angelo Maria Crivelli's talent and skill as an artist.

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