THE WALLS - 1893


Size (cm): 60x75
Price:
Sale price7,861.00TL

Description

Félix Vallotton, prominent figure of the Nabis movement and master From wood engraving, it offers in "El Vals" of 1893 a window to the social life of the beautiful Époque loaded with an elegant intimacy. This painting is distinguished by its subtle management of color and composition, revealing not only Vallotton's technical skill but also its acute observation of human psychology.

In "El Vals", the scene introduces us inside a dance hall, where a couple dances in the center of the canvas. The immediate approach falls to the dancers, whose figures stand out against a dark background, being the contrast used by Vallotton an effective tool to accentuate the subtlety of the moment. The dim light creates an intimate atmosphere, perhaps suggesting a private and exclusive evening.

The characters, in particular, are delineated with a style that touches the symbolism, prevailing among the Nabis artists. The couple's clothing, especially women's clear dress, is treated with a level of detail that suggests movement and grace, capturing the transitory essence of the waltz itself. The posture of the dancers, close and despite this distant in its expression, adds a layer of emotional complexity to the work. Vallotton chooses not to show us clearly defined faces, instead focusing on the corporality and spatial interaction of the characters.

The use of color is another aspect worth mentioning. While the palette is in large part sober and dominated by dark and neutral tones, the flashes of white in the woman's dress and warm light in the bottom lamps add a subtle dynamism without breaking the general harmony of the work. Vallotton mobilizes the color selectively, offering a balance between the gloomy and the glowing, the static and the dynamic.

The work can also be evaluated in the context of the exploration of modern life and intimacy that is characteristic of the time. "The waltz" is the thematic similarity with works by contemporary artists such as Edgar Degas and Édouard Vuillard, who also explored scenes of private and public life with a similar interest in light and atmosphere. However, Vallotton is distinguished by his ability to encapsulate a scene full of emotion with a graphic and outline that prefigures, in many ways, modern art.

The living room environment, although austere, suggests an implicit wealth in its furniture and decoration, balancing highly stylized details with empty space areas that accentuate the act of dancing in itself. This economy of elements allows Vallotton to keep the focus on the characters without the scene losing its narrative depth.

In summary, "The Waltz" of Félix Vallotton is not only a representation of the dance but a statement of his mastery in capturing ephemeral moments with emotional and technical precision that continues to resonate. Painting is a testimony of Vallotton's talent to transform everyday scenes into meticulous studies of light, shadow, and the human condition.

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