The level step (final state) - 1919


Size (cm): 75x55
Price:
Sale price7,698.00TL

Description

The work "The level passage (final state)" by Fernand Léger, created in 1919, is an influential example of modern visual language of cubist art and, in particular, the way in which Léger absorbed and reinterpreted these ideas. Léger, a pioneer of Cubism, merged geometry with the representation of reality, providing a unique vision of contemporary life, especially in the industrial context of the twentieth century.

In this painting, Léger presents a scene from the modern world, where industrial and mechanical elements are intertwined with the human figure, although in this case, the human presence is almost the supión of the landscape, insinuating a symbiotic relationship between the machine and the man . The composition shows a rail cross, an image that evokes connectivity and incessant movement of urban life. Through straight lines and geometric shapes, a feeling of simultaneity and action is achieved, typical of its style.

The use of color is particularly remarkable. Léger uses a vibrant palette of reds, yellow, blue and green, creating a dynamic effect that invites the viewer to explore every corner of the work. These primary colors, applied in large blocks, generate a considerable contrast that energizes the composition. The work reveals an almost constructivist approach, where each geometric form is intimately connected to the whole, suggesting the interdependence of man and technology.

As for the characters, Léger includes abstract figures that seem to be absorbing the industrial context in which they live. Human figures are reduced to simplified forms, which reflects a distancing from the traditional representation of the individual, thus solidifying the argument of painting on modernity and the individual in an increasingly mechanized world. This approach, which may seem depersonalized, also suggests an idea of ​​unity in diversity, characteristic of the artist.

At the technical level, "the level passage" is inscribed within the Cubist tradition in its use of the decomposition of the form and reconfiguration of the perspective, creating a sense of depth and visual simultaneity. The treatment of space is innovative and challenges conventional notions of perspective in painting, leading the viewer to experience a vision that is both fragmentary and totalizing.

Léger's importance lies not only in his contribution to Cubism, but also in his ability to capture the essence of his time through the fusion of art and modern life. "The level step" is a testimony of this, since it encapsulates the tensions and transitions of a society in transformation. The work invites us to reflect on our own relationship with technology and modernity, as well as the way in which these forces influence human experience.

Through this painting, Léger not only clings to the aesthetics of Cubism, but also opens a dialogue about the future of painting and its relevance in a world that changes rapidly, which makes "the level step" in Not only a visual masterpiece, but a key piece in the understanding of the art of the twentieth century.

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