Description
In the panorama of the art of the twentieth century, Kazimir Malevich stands as one of the most influential and innovative figures, and his work of 1915, "supremeism", is an eloquent manifestation of his revolutionary artistic vision. When considering this canvas, we are immediately confronted with a purely abstract experience, free from any reference to objective reality, a distinctive seal of the Supreme Movement that Malevich founded.
The "suprematism" painting of 1915 presents a visual composition that is both simple and deeply evocative. In a white background environment, a set of geometric shapes, predominantly rectangular and diagonal lines, are arranged in a precise but dynamic balance. It is a celebration of pure abstraction and geometric lyricism. Geometric figures, in different colors, emerge and overlap, creating a sensation of movement and depth. This intertwined forms highlights two predominant elements: a rectangle of a vibrant red and a black undulating line that seem to dance in a delicate choreography with their geometric fellow.
The choice of color in this work is not merely incidental. The contrasts between the reds, blacks and touches of blue and beige provide an imperishable visual dynamism. The interaction and confrontation of these color blocks are testimony to Malevich's objective to raise art to a pure aesthetic experience, where the viewer is invited to contemplate the essence of color and shape without the distraction of literal or narrative meanings.
There are no characters in this work, which is faithful to the Supreme Creed that denies any reference to the human figure or the natural environment. This radically abstract approach seeks to strip the art of its earthly associations, inviting us to a higher and universal contemplation. Malevich's geometric shapes thus become protagonists and bearers of meaning, suggesting a world of internal forces and dynamisms.
This painting It enrolls in a very particular historical context. Malevich presented his first suprematist works in exhibition 0.10, the last futuristic exhibition in Petrograd, in 1915. His movement, preceded by Cubism and Futurism, intended to break all the conventions of the past to give way to a new form of appreciate reality through the prism of shape and color. Malevich's search was oriented towards the transcendental, towards what he called "the supremacy of pure sensitivity."
"Suprematism" is not a painting that is limited to being seen; It is a work that demands to be experienced. The viewer is taken to a meditative state, in which each form and each color becomes elements of a universal language, a visual language that transcends cultural and temporal barriers. The painting offers a showcase to a universe where the essential is the immanent.
Kazimir Malevich's legacy and his work "Supremeism" is vast and deep. Influenced many later movements and artists, from the Bauhaus to minimalist art. Malevich not only changed the way it was painted, but also the way in which the world understood what art could be. On the 1915 canvas, we find not only a piece of art, but a manifesto that continues to resonate with the same force in the contemporary artistic sky.
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