Push weight with two arms - 1914


Size (cm): 55x70
Price:
Sale price7,412.00TL

Description

The work "Push weight with two arms" by Eugène Jansson, created in 1914, is registered at a time of formal exploration of modern art, in which the use of color, shape and representation of the human body become keys to keys to Understand not only the aesthetics of the time, but also the social and cultural context in which it was produced. Jansson, a Swedish painter known for his ability to capture the essence of the human body and light in his compositions, achieves in this work an intense fusion of dynamism and expression.

The painting is characterized by the representation of a young man who is pushing weights with both hands. The protagonist's body is arranged in a position that reflects effort and concentration, suggesting not only a physical activity but also a state of immersion in the task. Through this central figure, Jansson expresses a clear concern for anatomy and movement, which is observed in the accurately outlined muscles and in the obvious tension of the muscles. This dedication to the study of the human body can be tracked in the tradition of artists who seek real.

The use of color in the work is equally significant. Jansson opts for a palette that covers terrible and golden tones that, combined with deep shadows, create a powerful contrast that directs the viewer's attention towards the central figure while supporting a gloomy and almost introspective atmosphere. Fund treatment also plays a critical role; Although it is not the main object of interest, it contributes to the feeling of depth and encloses the character in a space that seems simultaneously intimate and isolated. The interaction between light and shadow not only models forms but also symbolizes the physical and mental effort required in the protagonist's work.

As for the context of production of the work, it is important to consider that Jansson lived in an era marked by the development of modernism in art, which resulted in a series of experiments both in technique and in themes. Concerns about masculinity, physical strength and effort find echo in "pushing weights with two arms", which can be read as a reflection on identity and personal struggle in an increasingly industrialized and competitive world. Jansson, by addressing the act of pushing weights, captures not only a literal representation of force, but also a metaphor for the challenges of modern life.

Jansson's style is often associated with symbolism and fauvism due to the vivacity of color and emotionality in his works. This particular approach can place to "push weights with two arms" within a broader dialogue with other contemporary artists who explored the human figure in resistance and effort contexts. The piece, like many of his other works, can be seen as a study of the interaction between form and function, an essential element that Jansson transforms into a rich and evocative visual experience.

From its ability to combine the study of the human body and the innovative use of color, Eugène Jansson has left a significant mark on Swedish and modernist art. His work "Pushing weights with two arms" is a testimony not only of his technical and aesthetic skills, but also of his deep interest in human experience, strength and struggle, issues that resonate with unwavering relevance today.

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