Description
Kazimir Malevich, one of the most iconic figures of abstract art and the suprematist movement, offers us a work whose title and content take us to an enigmatic and introspective trip: "Mystical religious rotation of the form." This title, apparently arcane, is nothing but a gateway to the deep symbolism and the radical simplicity that characterizes the art of Malevich.
The composition of the work presents a series of geometric figures that seem to emerge from a white background, a distinctive and elementary feature of the suprematism that Malevich opens and leads to its maximum expression. A black rectangle that dominates the central space, surrounded by a variety of minor ways, accurately outlined, evokes a sensation of rotating movement. Each of these figures, in its primary and secondary colors, is arranged in such a way that it suggests a kind of cosmic dance, where the mystical and religious are intertwined in a perpetual rotation.
The use of color in "mystical religious rotation" is sober, essentially limited to dark tones and color flashes that emphasize the relationship between different forms. This choice is not accidental; Malevich seeks to convey a visual purity where the viewer is confronted with the very essence of painting, without distractions or superfluous ornaments. Black, which predominates, could be interpreted as a symbol of the absolute, the unknowable, or even the divine, in contrast to the rotating and colorful forms that could symbolize the movement and dynamics of human existence against the universe.
While the work transcends figuration and lacks recognizable characters, it is not devoid of a narrative. Each geometric shape, each interaction between color and space, tells a story of balance, proportion and significance. Malevich does not need a human figure to talk about the human condition; Instead, use the pure language of shapes and colors to invite the viewer to a reflection beyond the visible.
"Mystical religious rotation" is a culminating representation of Malevich's supreme effort to abolish the earthly dimension of art and raise it to a spiritual plane. In this context, rotation could be seen as a reference to the eternal cycle of life, death and rebirth, a constant in many religious and philosophical traditions. This painting, then, is not only an aesthetic exercise but a vehicle of metaphysical contemplation.
In the panorama of modern art, Kazimir Malevich's contribution is invaluable. His groundbreaking approach has influenced generations of artists and continues to be a crucial reference point to understand the evolution of abstract art. In works such as "mystical religious rotation of the form," Malevich offers us an glimpse of its utopian vision, where art becomes a means to achieve the deepest truth of our existence.
This painting, Like many of his other suprematist works, he challenges us to see beyond the visible, to find meaning in the apparently simple, and to understand that, in the reduction to the purest forms, there is a connection with the eternal and the universal. Malevich, through his genius, reads us a work that is, in its deepest essence, a meditation on form, color and spirituality.
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