Description
Kazimir Malevich, a visionary of abstract art and suprematism, offers us in "French allies - 1914" an enigmatic visual testimony that defies the traditional perception and pictorial representation of the historical context of World War I. The work itself is a complex game of vibrant colors and geometric shapes that, at first glance, may seem chaotic, but that are actually meticulously designed to transmit a hidden message.
The composition of Malevich's work is characterized by a constellation of floating geometric shapes, each contributing to a non -linear visual narrative. Warm colors predominate: red, yellow and green are intertwined with colder tones such as blue and black. This color palette seems to be in eternal dance, creating a dynamism that forces the viewer to travel the image with an attempt to decipher its multiple layers of meaning.
In "French allies - 1914", Malevich uses visual language that dispenses with recognizable human figures, opting instead of using abstraction to offer a criticism of war and, possibly, a reflection on the political alliances of his time. The dominant geometric elements, such as circles, rectangles and triangles, are juxtaposed to create a visual tension that evokes the instability and restlessness of the war.
The title of the work guides us towards a political interpretation. In 1914, at the beginning of World War I, France was one of the main actors in European conflagration. However, Malevich avoids any explicit reference to the brutality of the conflict, opting for a more abstract and intellectualized representation. This distance from the figurative reflects the avant -garde thought of Malevich, who firmly believed in the supremacy of pure sensitivity about figurative representation.
"French allies - 1914" exemplifies Malevich's inclination towards suprematism, an artistic tendency that he founded and sought the supremacy of pure artistic sensibility. Supremeism was not interested in the representation of objective reality but in the expression of subjective experience, and this painting is a clear manifestation of that philosophy. By dispensing with recognizable subjects, he invites the viewer to immerse himself in a pure -free sensory experience of emotional or narrative connotations that accompany figurative art.
This Malevich work also serves as a prelude to his masterpiece, "Black Square", created in 1915, which represents the culmination of his exploration in non -objective art. Although "French allies - 1914" does not reach the radical abstraction level of "black square", shares with him the mission of causing a visceral and reflexive response in the viewer.
In conclusion, "French allies - 1914" is an intriguing and complex work that challenges the artistic conventions of his time and continues to resonate in the universe of contemporary art. Through its innovative use of color and shape, Malevich offers us a window to its worldview, in which the purity of aesthetic experience rises above objective representation. This painting is not only a key piece within Kazimir Malevich's career, but also a fundamental work to understand the evolution of abstraction in modern art.
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