Description
In the contemplation of "The Cortation in operation" (1909) by Ferdinand Hodler, the essence of Swiss symbolist art in a manifestation of intricate work and dynamic movement is crystallized. Known for his inclination towards formal simplification and his search for symmetry in his compositions, Hodler offers us in this work a deep immersion in the human dimension of work.
At first glance, what is the most prominent of the painting is the central figure, a corteped. This figure, with an inclined posture and extended arms, permeates the scene with a feeling of concentration and effort, symbolizing discipline and dedication to physical work. The representation of the cutter is devoid of unnecessary ornaments, allowing its simple physical presence and the action that they perform becomes the focus of the composition. The repetition of geometric shapes in the body arrangement of the figure underlines the sense of harmony internalized by Hodler.
In color terms, Hodler uses a limited and predominantly terrified palette, accentuated by brush green and golden tones. These colors not only highlight the naturalness of the landscape, but also evoke a deep connection with the earth and a reverence by the rural environment. The contrast between the green grass and the dark tones of the worker's clothing adds depth and enhances the prominence of the figure on the bottom.
The high horizon and clear sky contribute to focusing the viewer's attention on the figure and its actions, while the simplicity of the landscape serves as a sober frame that complements the narrative without distracting from the activity of the corteped. Likewise, the light that seems to emanate from the background elaborates an almost spiritual character, a reflection of the dignity inherent in everyday work.
Ferdinand Hodler, born in Bern in 1853, is recognized as one of the most influential painters in Switzerland, and his style evolved from naturalism to symbolism and expressionism. Hodler's work frequently explored issues of human existence, nature and the universality of certain vital experiences. In "the top -on -operation", these issues are manifested with clarity that is both simple and deep.
This work, although perhaps less famous than others such as "the night" (1890) or "El Retiro" (1908), offers an intimate vision of human routine, inviting spectators to value beauty in simplicity and effort. Hodler's inclination for rhythmic repetition and symmetry in his compositions becomes evident here, where the figure of the corteped becomes a symbol of perseverance and harmony with nature.
In sum, "the starting cut" is a work that, under a mantle of apparent simplicity, houses a complex reflection on the human being's relationship with its environment and daily tasks. Ferdinand Hodler reminds us, through this painting, the nobility of work and the serene beauty of everyday life, a significant contribution to the visual lexicon of European symbolism.
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