THE KISS - 1898


Size (cm): 75x60
Price:
Sale price€236,95 EUR

Description

Félix Vallotton's "The kiss" painting, completed in 1898, is a masterpiece that encapsulates the essence of complex human relations through the misleading simplicity of its composition and the subtlety of its color. Vallotton, a Swiss-Francés painter associated with the Nabis movement, offers us an intimate study that challenges both the casual spectator and the most trained critic to enter the depths of the human condition.

The work presents two figures in an intimate hug, apparently carefree from the outside world. The woman's face is partially hidden, while only a small part of the man's face is visible. This careful positioning not only intensifies the feeling of intimacy, but also increases the emotional load of the piece. The man, dressed in a simple dark suit, and the woman, in a sober white dress, contrast significantly with the backdrop of warm and dark tones, suggesting that they are an oasis of emotion in an ordinary world.

The choice of color in "The kiss" is deliberate and evocative. The dark tones of the environment enhance the luminosity of the figures, attracting the viewer's gaze directly to the center of the composition. This technique, in which the play of lights and shadows highlights the main subjects, is a distinctive brand of Vallotton, which has been well documented in many of his other works. The couple is in an indefinite space but loaded with a palpable atmosphere, which could suggest a domestic atmosphere or perhaps a clandestine meeting.

Vallotton's brushstroke is observed precise and controlled, somewhat flat, reflecting the influence of the wood engraving technique that also dominated. Austerity in details and the apparent media economy are deceptively simple; There is a wealth in the narrative and emotional texture that is only revealed after an attentive observation. The nuances of the colors seem almost to the delivery, a testament of how advanced his vision was for the time.

The composition of Vallotton's work, despite its apparent simplicity, covers an underlying complexity that forces the viewer to ask questions about the identities and interactions of the characters. Who are these two people? What kind of relationship do you share? Is it a moment of meeting or farewell? These questions are left unanswered, and it is precisely this ambiguity that gives painting its lasting impact.

The historical context in which Vallotton created "the kiss" is also significant. Located at the end of the 19th century, an era marked by change and transition, the work could also be interpreted as a comment on changing roles within social relationships and expectations. In this sense, Vallotton not only captures an intimate moment, but also a fragment of the Zeitgeist of his time.

In conclusion, "The kiss" of Félix Vallotton is much more than a simple representation of a couple in a hug. It is a nuanced study of human introsity and introspection, presented through a masterful compositional simplicity and an evocative use of color. Vallotton manages to convey, with a great media economy, a vast spectrum of possible emotions and narratives, thus ensuring an immortal place in art history.

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