Ploughed Lands - 1900


Size (cm): 75x30
Price:
Sale price€184,95 EUR

Description

Konstantin Somov's "Plowlands" (1900) is a fascinating example of the artist's signature style, which lies at the crossroads of symbolism and detailed depiction of the landscape. A leading member of the Russian Symbolism movement and a virtuoso of painting technique, Somov evokes in this painting not only the arid cultivated land, but also the depth of rural life and its interactions with nature.

When looking at this work, one perceives an almost nostalgic atmosphere, where the plowed fields seem to converse with the sky, which is presented in a range of blues that fade to lighter tones at the top. This subtlety in the transition of color adds a poetic dimension to the landscape, suggesting a cycle of life and fertility that contrasts with the harshness of agricultural work. The soil, a penetrating earthy brown that is furrowed five times, instantly captures the attention and evokes the feeling of a freshly prepared field, ready to receive the seeds.

The composition of "Plowed Lands" denotes a careful arrangement of elements that guide the viewer's gaze. The harmony of the plowed land achieves a visual balance that suggests both the hand of man and the inevitable influence of nature. In the foreground, the furrows formed in the earth leave a palpable impression of human effort, while the horizon stretches majestically, inviting contemplation of what lies beyond. In this sense, Somov succeeds in capturing the coexistence of human labor and the natural environment, a recurring theme in his work.

It is interesting to note that although Ploughlands avoids the inclusion of visible human figures, their presence resonates through the context provided by the landscape. The lack of characters adds a sense of vastness and timelessness to the scene, suggesting that rural life is a continuous cycle of work that transcends individuality. This choice also aligns with the symbolic trend of the time, where the focus is on the environment and human experience rather than specific portraits or narratives.

One element that deserves special attention is the visible texture of the oil applied in the painting, which shows Somov's technical mastery. Each brush stroke seems to be meticulously calculated to create a sense of depth and volume in the terrain, making the viewer almost able to feel the touch of the earth and the freshness of the environment.

When looking at the work in the context of the time in which it was created, it is also relevant to understand that Somov was part of an artistic tradition in which the connection with the land and nature was central. His works often feature landscapes that reflect not only the beauty of the natural environment, but also a meditation on the relationship of humans with their surroundings. “Plowlands” stands as a testament to this aesthetic and spiritual quest, capturing the essence of agricultural work in the late 19th century, a period of transition and evolution in rural Russia.

Ultimately, Ploughlands offers not only an intimate view of the landscape, but also a thought-provoking work on human industriousness and its inescapable connection to the natural world. The richness of its technique, combined with thoughtful and evocative composition, ensures that Konstantin Somov's work remains an important study of symbolism and representation in Russian art of the period, resonating with the universal themes of life, nature and work.

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