Madame Felix Vallotton on his dressing table - 1899


Size (cm): 75x55
Price:
Sale price€228,95 EUR

Description

Félix Vallotton, a Swiss painter and recorder associated with the Nabi movement, was known for his acute observation and distinctive style, which often contradicted the lush nature of his impressionist contemporaries. One of his most introspective and delicately composite works is Madame Félix Vallotton in his 1899 dressing table. This painting offers an intimate and calm vision of his wife, Gabrielle Vallotton, at a time of private introspection, and is a moving testimony of the Technical and compositional mastery of the artist.

The scene shows Madame Vallotton sitting of profile in an ornate dressing table, wrapped in an atmosphere of quiet domesticity. His serene presence and reflected in the mirror creates a dialogue between the image of the woman and her double seen through the reflection, introducing a metaphysical dimension that adds depth to the composition. The work stands out for its carefully balanced structure; The arrangement of the furniture and decorative objects is not merely casual, but meticulously planned to guide the look of the observer through the scene with a leisurely and contemplative rhythm.

The use of color by Vallotton in this painting reveals its ability to capture both the atmosphere and the character of the domestic space. The tones off and terrible in the room, along with the touches of blue in the seat fabric and the soft golden reflexes of the mirror, create a chromatic harmony that reinforces the feeling of intimacy and warmth. Gabrielle's white dress stands out delicately, in contrast to the darkest environment, attracting attention to his figure and suggesting a purity and serenity that dominate the scene.

The details in this work are equally notable and show Vallotton's meticulous attention to textures and surfaces. The dressing table, with its small personal objects apparently randomly placed, reveals a world of daily delicacies that give life to the scene. The interaction of light and shadow in different materials, from polished wood to soft fabrics, demonstrates a deep understanding of the physical and aesthetic qualities of these elements.

In addition to the technique and composition, this painting offers a window to the artist's personal life, providing an intimate look at a central figure in his life. Gabriel Vallotton is not simply a model; His presence here is loaded with emotional and personal meaning. The serene dignity with which it is represented suggests a relationship of respect and affection whose detail invokes the contemplation by the observer.

Although it is not one of Vallotton's most widely commented works, Madame Félix Vallotton in his dressing table encapsulates many of the fundamental elements of his style and his artistic approach. The painting not only celebrates the female figure and the intimacy of domestic spaces, but also highlights the perennial search for Vallotton to capture the essence of everyday moments with extraordinary clarity and attention. In a genre where beauty often lies in the ephemeral and the invisible, this work is erected as a silent but eloquent tribute to the rhythms and rituals of daily life, seen through the sensitive and loving look of its author.

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