size(cm): 45x40
Price:
Sale price€149,95 EUR

Description

The Crucifix painting by the Italian artist Coppo Di Marcovaldo is a masterpiece of Italian Gothic art from the 13th century. This work is in the Uffizi Gallery in Florence and is considered one of the most important works in the collection.

The painting represents Jesus Christ crucified with his arms outstretched and his head tilted to the right side. The figure of Christ is presented with great expressiveness, with an anguished face and a realistic anatomy. The figure of Christ is surrounded by a golden background, which gives it a divine appearance.

The composition of the work is very interesting, since Coppo Di Marcovaldo uses a perspective technique that gives depth to the painting. The figure of Christ is in the foreground, while in the background you can see the figures of the Virgin Mary and Saint John, who are crying and with a great expression of pain.

Regarding color, the work is characterized by the use of dark and somber tones, which give it a dramatic and emotional aspect. The artist uses a chiaroscuro technique, which gives depth and volume to the figures.

The history of the painting is very interesting, since it is believed that it was made for the church of San Giovanni Fuorcivitas in Pisa. Later, the work was transferred to the church of Santa Maria degli Angeli in Florence, where it was restored and later transferred to the Uffizi Gallery.

As for little-known aspects, it is said that Coppo Di Marcovaldo was one of the first Italian artists to use the perspective technique in his works. In addition, it is believed that the figure of Christ was made using a real model, which gives it a very realistic and emotional appearance.

In summary, Coppo Di Marcovaldo's Crucifix painting is a masterpiece of Italian Gothic art, noted for its perspective technique, its dramatic and emotional composition, and its use of chiaroscuro. This work is one of the most important in the Uffizi Gallery and is considered a jewel of Italian artistic heritage.

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