Self -portrait - 1912


Size (cm): 50x75
Price:
Sale price$316.00 SGD

Description

The painting "Self -portrait - 1912" by Kuzma Petrov -Vodkin presents a work of artistic introspection and domain of the technique that is emblematic within the panorama of Russian art of the early twentieth century. Kuzma Petrov-Vodkin, a painter and art theorist whose work marked a turning point in figurative representation and the use of color, leaves not only a representation of himself in this self-portrait, but an aesthetic statement of his artistic vision.

In "Self -portrait - 1912", Petrov -Vodkin is shown in the middle body, with a contemplative seriousness that suggests a deep self -assessment. The figure stands out against a neutral and gloomy background that, however, does not cease to have a mysterious and introspective quality. The choice of an almost monochromatic background highlights the figure and attracts the viewer to the details of the face and position of the painter.

The composition is carefully balanced, with a slight inclination of the head to the right that adds dynamism to the static image. This inclination, together with the artist's direction, seems to enter the spectator in the inner world of Petrov-Vodkin, as if they shared a silent introspection.

The use of color is masterful, with earthly and off tones dominating the palette. The artist's face is illuminated with a subtle game of lights and shadows that reveals both his mastery in modeling and his interest in capturing a tangible sensation and reality. The chromatic details of the face, which pass from light to dark brown tones, grant depth and a rare three -dimensional experience in the portrait of the time.

The texture of the canvas and the application of oil can be observed in the layers of paint, evidencing a meticulous but not recharged technique. Each brushstroke seems deliberate, contributing to the general structure of the work without distracting the attention of the central theme.

Kuzma Petrov-Vodkin is known for its deep theoretical influence on the development of Russian art, particularly through its emphasis on spirituality and symbolism in art. This work, although apparently simple in its presentation, carries with them those conceptual loads. The introspection that the artist presents here could be interpreted as a search for the sublime and a connection with the transcendental, concepts that are recurrently in their writings and other works more symbolically loaded, such as "Red Horse Bath."

"Self -portrait - 1912" It also differs from other works of its time by its economy of elements and its concentration in psychological expression. While many of his contemporaries explored futurism or Cubism, Petrov-Vodkin kept a foot in tradition while moving towards a new form of Russian expressionism, manifested in this work by attention to personality and the human.

In summary, this work is a testimony of the technical ability and philosophical depth of Kuzma Petrov-Vodkin. Through his brushstrokes, the artist reveals not only physically, but psychologically and spiritually, giving painting a resonance that goes beyond mere representation. "Self -portrait - 1912" It stands as a key piece to understand not only the artist, but also a time of transition and search in Russian art.

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