Description
Contemplating * reapers - 1929 * of Kazimir Malevich, one immerses himself in an articulated fusion of figuration and abstraction, a visual journey that reflects the confluence of his stylistic explorations. Malevich, recognized for its pivotal role in the development of suprematism, introduces figurative elements that contrast their prior tendency towards pure abstraction.
The oil on canvas presents a set of figures that, due to its appearance, we can identify as reapers immersed in agricultural activity. Despite the obvious simplification of forms a feature that denotes the influence of suprematism, human figures are clearly distinguished, immersing ourselves in a narrative of peasant life. We clearly observe elongated figures, with serene faces and hands firmly assaulted to the tools of the mowing, while the artist uses color blocks to structure the shapes of the characters.
The chromatic choice is harmoniously varied: yellow and red dominate the central figures, while green and blue frame and contrast with the warmth of the characters. These combinations, far from being strident, provide a contained energy to the scene, configuring a visual dynamism that Malevich uses to subvert the innate statism of figural representation.
The composition is remarkably organized and clearly deliberate. The reapers are distributed by the canvas according to lines that hint the movement and rhythm of the mowing process. Geometric funds, probably stylized fields and skies, remember the spatial sequences that Malevich developed in their previous supreme works. This technique of having the elements in almost abstract schemes allows viewers to feel not only the literal presence of the agricultural scene, but also the underlying energy of human activity in communion with nature and geometry.
A fascinating aspect of * reapers - 1929 * is how Malevich's transition period encapsulates. While many of his previous suprematist works worried about the purity of shape and color in complete abstraction, this piece reintroduces the human figure without sacrificing the reduction of the form to its purest essence. This movement could be interpreted as a reflective return of the artist towards the social and human realities of his time, perhaps influenced by the political and social pressures of his Soviet environment, although always maintaining his unique visual language.
In summary, * reapers - 1929 * is a work that is positioned at the intersection of suprematism and realism. Malevich, through the simplified structure and the vibrant color palette, manages to transmit the energy of peasant work and the texture of rural life. This balance between abstraction and representation makes this painting a crucial piece to understand not only Malevich's artistic evolution, but also the dynamism of Russian art of the early twentieth century.
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