Description
The work entitled "Folder cover materials of the Committees of Poor Campesinos del Congress - 1918", by the famous artist Kazimir Malevich, constitutes a visual testimony of the artistic avant -garde of the twentieth century. Created in 1918, in full effervescence of social and political changes in Russia, this piece reflects not only Malevich's artistic mastery, but also its immersion in the cultural and revolutionary context of its time.
The composition of this work attracts attention immediately because of its bold use of geometric shapes and vibrant colors. Malevich, known for being one of the pioneers of suprematism, an artistic movement that focused on basic geometric shapes and limited use of color, slightly departs in this work from its strictest conventions to address a project with political and social content. In the painting, elements that remind the structures and posters of propaganda of the time can be identified, which underlines the function of the work as a diffusion material between the peasant committees.
The colors used, mainly red and yellow, contrast vividly with white background, creating a feeling of dynamism and urgency. Red, universal symbol of the revolution and change, is used prominently in rectangular forms and the lines that seem to converge towards the center of the composition, leading the viewer's gaze towards a central focal point. The yellow, on the other hand, brings a harmonious and bright counterweight, contributing to the visual cohesion of the piece.
The absence of human figures is also remarkable, a common characteristic in many of Malevich's supreme works. Instead of figures, the artist opts for the abstract representation of ideas and concepts through pure geometry. This approach not only underlines the universality and timelessness of the message, but also allows the viewer a more personal and free interpretation of the meaning of the work.
By carefully observing "folder cover materials of the Committees of Poor Campesinos del Congress - 1918", it is clear that Malevich did not simply create a visually shocking work of art, but also encapsulated the tensions and aspirations of a society in full transformation. The media economy with which it works, using basic lines and colors, reveals underlying sophistication in its apparent simplicity.
The historical context in which this work arises is also of vital importance for its understanding. In 1918, Russia was immersed in the Bolshevik and Malevich revolution, like many of its contemporaries, participated in the fervor and hope of a transformed future. This work, executed for poor peasant committees, not only carried a message of hope and change, but also served as a communication and empowerment vehicle.
In conclusion, "Folder cover materials of the Committees of Poor Peasant of Congress - 1918" is a revealing piece that combines Malevich's artistic innovation with the socio -political context of its time. Through his bold use of geometry and color, Malevich not only challenged the artistic conventions of his time, but also captured the revolutionary spirit of an era that sought to redefine his identity and his future.
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