Urban landscape summarized from the sketchbook 130


Size (cm): 75x45
Price:
Sale price2 637 SEK

Description

The summarized urban landscape work of the Sketch Notebook 130 by Theo Van Doesburg is a fascinating representation of abstract urbanism that characterizes the work of the Dutch artist. Starting from its intimate connection with the STIJL movement, Van Doesburg manages to combine simple forms and primary colors to transmit the essence of an urban landscape in a reductionist and stylized form. Painting is an exploration of the modernist city, which in its abstraction suggests the presence of urban without necessarily portraying it explicitly.

The composition is articulated in a modular way, using orthogonal lines that cross and organize in a space that evokes the structure of a developed landscape. The colors used are predominantly primary: blue, red and yellow, which are interspersed with neutral tones. This color choice not only creates an attractive visual contrast, but also invites the viewer to participate in the interpretation of the space represented. Often, the colors in Van Doesburg's work function as a visual language that can talk about both modern architecture and life in the city, through precise use of geometry.

Without the presence of human figures, the work concentrates its attention on architecture and the abstract urban environment, which becomes the main protagonist. This approach can be seen as a reflection on dehumanization in modern cities, a theme that worries Van Doesburg and that we have observed in many of his works. When refraining from including characters, the artist invites us to observe the built space and its impact on everyday experience.

It should be noted that the work is part of a series of sketches that Van Doesburg conducted in its investigation of abstraction and the concept of modernity. This Notebook of Sketches 130 is representative of its style, where it seeks to experiment and bring out the spatial interactions that make up urban life. Van Doesburg, in his career, was a pioneer in the use of painting as a means to express philosophical ideas about the organization of space and aesthetics of modern life.

Comparing this work with others of its time, such as those of Piet Mondrian or the works of other stijl artists, we find echoes of a similar thought but with a unique execution. The ability of Van Doesburg to distort and reinterpret urban landscapes reflects the influence of contemporaneity in his work, always seeking to implement the principle that the form follows the function.

Urban landscape summarized from the Sketch Notebook 130 offers us a look not only to the technical skill of Theo Van Doesburg, but also to its vision of an urban world in transformation, where abstraction serves as a gateway to new forms of Interpretation and understanding of the environment we inhabit. In short, the work is a testimony of the power of abstract art and its ability to challenge and expand our perception of urban reality.

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