Two women on the hillside - 1906


Size (cm): 75x50
Price:
Sale price2 786 SEK

Description

The painting "Two women on the slope" of Franz Marc, made in 1906, is erected as a visual testimony of the transition that this remarkable German painter lived towards a purification of symbolism towards a lively chromatic expressionism. In this work, the meticulous and lyrical interaction between color, human figure and the natural environment offers us a window to the emotional world that characterized Marc, one of the main exponents of the artistic avant -garde of the time.

The composition presents two female figures arranged in front of a undulating and vibrant landscape that seems to blur in a play of primary colors. The use of color is fundamental in the conquest of an atmosphere that evokes feelings of connection with nature. The warm tones predominate in the figure of the woman on the right side, who wears a robe of a deep red that opposes the soft and fresh green tones of the background. This chromatic choice not only highlights the figures, but also suggests a dialogue with the landscape that surrounds them. Franz Marc, known for its symbolic use of color, achieves, through this work, to transmit a duality that would transcend his time: the harmony between the individual and the environment, a recurring theme in his artistic production.

The female characters, although in a schematic and almost abstract way, have a corporeality that is undeniable. Marc distances himself from the traditional psychological portrait and opts for forms that suggest an essence more than an individuality. Women seem to be in a kind of contemplation or reflection, which invites the viewer to interpret their thoughts and emotions. This approach is aligned with Marc's desire to capture the essence of human experience, rather than its literal representation.

The background, which presents soft hills and a luminous sky, is imbued with colors that vary from intense yellow to soft blue, creating an almost dreamlike atmosphere that surrounds the figures. Marc's technique, which could be considered a precursor to abstract expressionism, manifests itself in the way in which the elements of the landscape seem to vibrate and move, suggesting an emotional connection rather than a mere representation of the natural space.

Franz Marc, a member of the group of artists known as the "Expressionist Group", was a pioneer in the exploration of the relationship between color and emotional perception, a characteristic that in "two women on the hillside" is clearly manifested and effective In addition, it is interesting to emphasize that this work can be related to others of its production at the same time, where figures in landscapes are positioned on the verge of the abstract, as in their work "the blue horses". This inclination towards graphic reduction and its interest in the immediacy of color allow Marc to break the established canons and open paths to a freer and more emotional art.

In conclusion, "two women on the hillside" is not only a reflection of Franz Marc's aesthetic concerns, but also a milestone within his career as an artist who sought to capture emotional depth through shape and color. This work, like many of its authorship, invites a reflection on the connection between the human being and nature, elements that, although represented simplified, resonate with a complexity that remains relevant in the context of contemporary art. The confrontation of the figures with the landscape, and the way they interact through color and form, make this painting a fundamental piece to understand the development of modernism and expressionism of the twentieth century.

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