size(cm): 50x40
Price:
Sale price1 964 SEK

Description

The painting The Kill by the artist Pieter Jan Van Reijsschoot is a work of art that certainly attracts attention due to its original size of 230 x 175 cm, but also due to its artistic style and composition. The painting depicts a hunting scene in which a group of hunters is chasing a deer in a forest.

Van Reijsschoot's artistic style in this work is distinctly Baroque, with meticulous attention to detail and great skill in rendering light and shadow. The composition of the painting is very dynamic, with the hunters and dogs moving and the deer running to escape. This sense of movement is accentuated by the way in which Van Reijsschoot has arranged the trees and vegetation in the background of the painting.

Color is also an interesting aspect of The Kill. Van Reijsschoot has used a very naturalistic color palette, with earthy and green tones that evoke the feeling of being in a forest. However, he has also used some more vibrant colors, such as the red of one of the hunters' coats, to draw the viewer's attention.

The history of the painting is also fascinating. The Kill was painted in 1745, during the heyday of the Flemish Baroque in the 18th century. It was commissioned by the Count of Liedekerke, a Belgian nobleman who was a great lover of hunting. The painting remained in the Count's family for many years, until it was sold at auction in 1965.

One of the lesser known aspects of The Kill is that Van Reijsschoot was not only a painter, but also a hunter. It is said that he used his own hunting experiences to draw inspiration for the painting, and some of the hunters depicted in the work are even portraits of friends of his.

Ultimately, The Kill is a stunning work of art that combines technical skill, dynamic composition, and a naturalistic color palette to create a hunting scene that is both realistic and exciting. The story behind the painting and the artist's personal connection to the subject make it even more interesting for art and history lovers.

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