Tea Cups - 1914


Size (cm): 75x55
Price:
Sale price2 867 SEK

Description

Juan Gris's painting "Tea Cups" (1914) is an emblematic work that reflects not only the artist's technical skill, but also his deep connection with the principles of Cubism, a movement of which he is one of the most prominent exponents. The work is set in a period in which Gris began to consolidate his own approach to Cubism, integrating elements of nature and everyday life into compositions that reveal a complex interrelationship between form and color.

The composition of “Tea Cups” is a splendid example of Gris’ ability to fragment and reorganize reality. In this work, the cups are presented in a dynamic arrangement, challenging the conventional perception of space. The way the objects are intertwined creates a visual rhythm that guides the viewer’s gaze across the surface of the painting, making each element take on a new dimension. This arrangement is not arbitrary; on the contrary, it reflects an underlying order that provokes an introspective response in those who stop to contemplate it.

The color in “Tea Cups” is another feature that deserves attention. Gris employs a palette that encompasses earthy tones and vibrant hues, balancing the warmth of yellow and brown with the coolness of blue and white. This choice of colors gives the work a sense of harmony despite the visual fragmentation inherent to Cubism. The colors also function as a means of emphasizing light and shadow, suggesting volumes and depths that further complicate the interpretation of the objects depicted.

In this painting, there are no human characters; instead, the focus is on the objects in the environment. The absence of living figures invites the viewer to reflect on the relationship between the domestic space and the objects that inhabit it. The cups, present in the work, evoke an everyday moment of pause and contemplation, and at the same time represent the intersection between art and daily life, something that Gris knew how to capture masterfully.

It is interesting to consider the context in which Gris created this work. By the 1910s, Cubism had developed as a revolutionary visual language, and Gris, originally from Spain, had settled in Paris, where he became immersed in the new artistic currents. This work not only shows his personal evolution as an artist, but also reflects a transitional moment in modern art, where artists were beginning to explore the synthesis of forms and colours on a more abstract and conceptual level.

Comparing it to other contemporary works in the field of Cubism, such as Georges Braque's "Violin and Jug" or Pablo Picasso's "Les Demoiselles d'Avignon", we can see how Gris excels at infusing an almost poetic quality into objects, transcending them beyond their mere physical existence. In "Tea Cups", the contemplation of the everyday object becomes an act of reflection on the essentials of life, transforming the banal into something extraordinary.

In short, Juan Gris's "Tea Cups" is a work that encapsulates the duality inherent to Cubism: fragmentation and unity, abstraction and reality. Through his masterful handling of composition and color, Gris not only captures the essence of the objects depicted, but also invites a deeper search around perception and everyday experience. Every corner of this work resonates with an internal dialogue between the visible and the invisible, inviting the viewer to discover the art that resides in the everyday.

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